Tag Archives: Crompton Road

Heaton Voices Tour the World

On 17 March 1911, Mary ‘Molly’ Wharton Parkinson of Heaton stood on the deck of RMS ‘Victorian’ in Princess Dock, Liverpool and waved at the cheering, flag-waving two thousand-strong crowd below. Moments earlier she had joined in a rousing chorus of ‘Auld Lang Syne’ and ‘God Save the King’ and, if she had shed a tear as the ship left the port, she would have been in good company.

Mary ‘Molly’ Wharton Parkinson

Molly, aged 32, was a teacher, vocalist and music teacher. Born in Penshaw, Co Durham, she had lived in Heaton with her family for many years, first of all at 32 Kingsley Place and then 19 Holmside Place. She was the eldest of 16 children, nine of whom had survived beyond infancy. In later life, Molly recalled that at about the age of nine she could ‘simultaneously read a book propped on the mantle, knit a stocking and rock the baby’s cradle with my foot’.

Molly was better placed than most on the ship to have known that the ‘Victorian’ was the first large civilian ship to be powered by steam turbines and that those turbines had been made by the Parsons Marine Steam Turbine Company. Not only had marine steam turbines been developed by Sir Charles Parsons and his team less than a mile away from where she lived but she had recently got to know (and like very much) a young marine engineer, Fred Christian, who had lodged nearby while studying and working in Newcastle but who had recently returned home to New Zealand. Perhaps his absence and the possibility of a brief reunion had motivated her to put her name down for the trip.

When the crowds were no longer in view and Molly had retired to her cabin, she was joined by a familiar face: Florrie Hamilton was nine years younger than Molly but they had got to know each other. Not only did Florrie live in the next street at 27 Eversley Place but they also sang in the same choir, the Newcastle and Gateshead Choral Union, which rehearsed every Tuesday night at Newcastle’s Lit and Phil. Molly sang contralto and Florrie soprano. 

Florrie Hamilton

And singing was what brought them together now. They were about to embark on a hugely ambitious and exciting six month long world tour with a 225 strong choir.

Organiser

The idea for the tour had been that of Dr Charles Harriss, a London-born composer, choral conductor, organist of Ottawa Cathedral and founder of the McGill Conservatorium of Music. He was described as a ‘staunch British imperialist who sought to bring British cultural “standards” to the crown’s dominions abroad’ . He was certainly keen to build bridges, initially between Canada and ‘the motherland’. This led to the Sheffield Union Choir travelling to Canada in 1908 and, following the success of that visit, he was determined to foster similar ‘reciprocity’ between Britain and a British Empire recently bruised by events such as the Second Boer War – or at least with those regions where white settlers formed a majority of the population.

A very wealthy and well connected man, he garnered support for his ideas in the highest political echelons including the British government at home and the 4th Earl Grey, former MP for Tyneside and at that time both Governor General of Canada and a great patron of the arts.

He was also able to underwrite the tour financially to the tune of £60,000 (some £7,000,000 today). And crucially, he was a great organiser. In the 12 months before the tour began, he visited every country personally ensuring that the arrangements in place were ‘second to none’. 

Conductor

The conductor of the touring choir was Henry Coward, later to become Sir Henry. Coward was born in Liverpool in 1849, the son of a publican. Henry’s father had died when he was a small boy and his mother relocated to her home city of Sheffield, where the young boy could become an apprentice cutler to her brother, a pen-knife maker. Henry had shown an aptitude for music at an early age and had played the banjo but in Sheffield he taught himself how to read music and soon became a great advocate of the tonic sol-fah method of teaching others. He went on to achieve a first degree and doctorate in music from the University of Oxford.

Coward was a man of great energy and passion for singing, especially choral singing, not only from a musical point of view but also for its social, psychological and health benefits. He became a renown singing teacher and choral conductor, especially known for the huge choirs he could manage. He founded the Sheffield Tonic Sol-fa Association, later renamed the Sheffield Music Union and conducted over 50,000 voices in front of Queen Victoria at the opening of Sheffield Town Hall. Coward was a natural choice as lead conductor for Harriss’s tours.

Although based in Sheffield, Coward travelled hundreds of miles every week to conduct choirs in Leeds, Huddersfield, Southport, Glasgow and, of course, Newcastle at a time before motorways or even private cars. His Newcastle choir was the Newcastle and Gateshead Choral Union, of which Molly, Florrie and all the other Heaton singers were a part.

Heaton Voices

Coward selected the tourists, mostly from the choirs he regularly conducted, on the basis of their singing, sight reading and temperament.

The Newcastle Journal of 18 July 1910 published a list of  ‘Local Singers who have passed the musical test and qualified to take part in the world tour of the Sheffield Musical Union next year’

Apart from Molly and Florrie, there were 5 other Heatonians:

Herbert Alderson. Born on 26 December 1877 in Bishop Auckland, so on tour Herbert, a joiner, was 33 years old. He lived with his parents and younger siblings at 147 Bolingbroke Street. He sang tenor.

Herbert Alderson

Margaret Howson, born on 21 February 1888, and so aged 23 at the time of the tour, was living with her family at 8 Heaton Road, although by the time of the 1911 census, they had relocated to Stocksfield. She was a music teacher and sang contralto.

Margaret Howson

Jean Finlay Terry, born on 25 August 1865 in SE Northumberland, she was aged 45 at the start of the tour and, like Molly and Margaret, a teacher. She had lived at various addresses in Northumberland but, at the time of the test, was at 16 Stratford Grove. She was a contralto. On the ‘Victorian’, she shared a cabin with Margaret Howson. We also know that she kept a tour diary (but, alas, so far haven’t tracked it down). 

Jean Finlay Terry

John Charles Hamilton was aged 50 at the start of the tour and sang bass. Originally from Crook in Co Durham, he worked as a school board attendance officer and was Florrie’s father.

John Charles Hamilton

Miss M Atkinson of 64 Cartington Terrace is also listed as having passed the singing test but her name doesn’t appear on later lists of the tourists so presumably, she either withdrew or was on the tour’s reserve list.

The successful candidates would, in most cases, have needed permission from their employers to take six months unpaid leave and they would not be paid to participate, although their expenses would be covered and some ‘pocket money’ was distributed.

They also had to sign up to a gruelling programme of private study and rehearsals in order to learn and be able to sing no less than 160 different pieces, from composers such as Handel, Verdi, Bach, Berlioz and Elgar, as well as Harriss himself, along with arrangements of English folk music and ‘empire music’. Every month between July and March, the whole choir convened in Sheffield for five hours of rehearsal and ‘team bonding teas’.

Experiences

On tour, the travelling was alternately gruelling and thrilling. Starting with a storm off the south coast of Ireland, there were numerous ‘weather events’ to contend with. Intense cold, a storm and icebergs slowed the progress of the ‘Victorian’ as it approached St Johns in Canada; in Montreal the singers had to walk through a narrow passage through snow piled ‘higher than our heads’; a train ride through the Rockies was described as ‘fifty Switzerlands rolled into one’; In the Pacific it was so hot that one of the crew went ‘insane with the heat’ and between Australia and New Zealand, the captain told the passengers to ‘put on a lifebelt and try to go to sleep’ before a ferocious cyclone flooded every cabin, the water so deep that everyone was trapped where they were. The boat deck and bridge deck were washed away, ‘ironwork twisted as though it were paper’. Many of the choir were injured, some of the crew badly hurt.

On the other hand, it’s difficult to imagine the excitement the choir members, very few of whom had travelled much if at all, felt when they saw their first icebergs, walked behind the Niagara Falls, saw the Northern Lights in all their glory, watched flying fish, albatrosses and whales and sailed through coral reefs, all before the days of television and Sir David Attenborough. 

In Honolulu and Suva, they saw coconuts, dates, mangoes, ‘bananas growing in the streets’ and sampled many foods you’d be hard-pressed to buy in Heaton (even today!):

papaya … was like pink melon to look at but was soft and ripe and tasted of strawberries and cream’.

May Midgley, a singer from Bradford, was particularly impressed by the desserts in Canada:

‘..such ices! The ladies said “We make our own always!” They have a refrigerator in every house almost and they don’t make them in little slices like we do in England but like puddings and you can help yourself to as much as you like.’

Unlike many of the singers, Jesmond’s Eliza Vinycomb was well-travelled but even she was impressed by one of the American hotels ‘it has all the latest gadgets, two telephones in each bedroom, one to servants and one to the office, electric lights at the bedside…’

Activities put on for the party included a chance to speed round the Indianapolis motor racing track ‘at seventy or eighty miles an hour’; ‘bathing in a steaming bath in a snowstorm’ in Banff; visits to diamond and gold mines in South Africa (‘Except that the dust was white instead of dark, it looked greatly like going by Middlesbro’’ – Jesmond’s Eliza Vinycomb).

Members of the choir bathing in the sea in Durban: Florrie Hamilton is near the centre of the front row on the left of the man kneeling on one knee; Herbert Alderson is third from the left on the second row.

There were large, enthusiastic crowds everywhere: in Canada, apparently ’an old native of Sheffield travelled two days by dog-sleigh and snowshoes and 400 miles by train’ and another music lover ‘two days and nights on horseback’; elsewhere ‘ a large crowd of cowboys [unable to gain admittance] climbed onto the [concert venue and] showed their appreciation by thumping on the roof and sides of the building’. The audiences frequently numbered in the thousands: in Sydney there were 5,000 inside and an ‘immense crowd’ outside for a performance of Handel’s ‘Messiah’ and, following that, the choir performed outdoors in front of almost 40,000 people for George V’s coronation celebrations and there were at least half that number at the tour’s farewell and thanksgiving service in Capetown.

In Toronto, Indianapolis, Cincinnati, St Paul and Chicago, the choir was conducted in ‘Dream of Gerontius’, a work then only ten years old, by Sir Edward Elgar himself. Elgar travelled with the party across North America, much to the excitement of some of the younger choir members.

In Cincinnati they were directed by a young Leopold Stokowski, best remembered now for his involvement (and appearance) in the Disney film ‘Fantasia’ some 30 years later.

In Ottawa, they met Earl Grey who expressed his pleasure at hearing the ‘north country burr’ again and in Chicago they met the brother and wife of President Taft. In Honolulu, they sang before Queen Liliuokalani, the last monarch of Hawaii before the overthrow of the Hawaiian Kingdom and its annexation by the USA, and in South Africa, they met the Governor General, Lord Gladstone, the former British Home Secretary and the son of William Gladstone.

Attitudes

The tour was well-documented. Many of the choir, including our own Jean Terry and Jesmond’s Eliza Vinycomb wrote diaries, others kept scrapbooks and Henry Coward later wrote a published account. Letters home have been preserved and ‘there were forty cameras in our party’. They were even filmed:

‘We were invited to the Bijou Theatre Co to see ourselves on the cinematograph and it was funny… what a laugh we had!’ 

Reading the first hand accounts now, we cannot help be struck by some of the attitudes expressed and language used.

The aim of the tour was certainly to foster good will and promote peace. This can be summed up by Henry Coward’s words on reaching South Africa less than ten years after the Second Boer War had ended:

‘two hundred and twenty invaders entered Pretoria, not in the panoply of hateful war but holding the olive leaf of peace, good will and reciprocity, by means of song’.

In Durban, Eliza Vinycomb showed an awareness of apartheid ‘The rickshas had on them “For Europeans only” and at the post office a place partitioned off “For Asiatics and Natives” and in the trains were separate carriages for blacks and whites’. ‘The people say the Boers will never rise again, they felt their beating so thoroughly but they think the blacks may rise sometime.’ But she didn’t comment on the rights and wrongs.

Elsewhere Coward expressed his distaste for slavery and reported that the party was shocked by the poverty and inequality in Chicago. The choir sang for the patients at a leper station ‘where we saw some sorrowful sights but felt we had done a little to cheer their hopeless lot.’

But reading his and other accounts through the prism of 2020, some of the language and assumptions are nevertheless shocking.

In Buffalo, USA, the choir had  ‘the new experience of being waited upon by negro attendants’; train staff were complimented by being referred to as ‘our dusky friends’; In Suva, Coward thought ‘the natives showed a strong indisposition to work’. About being taken to the spot where Captain Cook first landed in Australia and ‘captured it for England’, he later wrote, ‘Well done, Whitby!’

Descriptions of visits to a Sioux encampment at Portage la Prairie in Manitoba where the ‘Indians were very shy’ and ‘the occupants declined to thaw from their reserve’ and a Sursee reservation in Calgary where ‘the moderns [tried] to coax the occupants to show themselves but they gave no sign of obliging us’ make uncomfortable reading in the 21st century. Coward wrote that he was sorry that the tribe was dying out because of ill health and what he saw as ‘the fixed inferiority complex in their minds’.

Coward also reported an incident in Honolulu when a man trying to board their ship was apprehended by police officers, apparently having reached for a gun. ‘One of the two detectives settled the argument by giving the “wanted man” a tremendous bang on the head with the butt of his revolver…I was pleased to see this bit of summary, wild west justice. It impressed me very much.’

Afterwards

Such an amazing experience, good and bad, must have affected the choir members for the rest of their lives. Coward reports that ‘about a score of happy marriages resulted from the tour’. Were many of the choir politicised and did they continue to make music and travel? We are lucky to know at least a little about the subsequent lives of our Heaton singers:

Herbert Alderson 

Herbert continued to sing. We have a record of him as a soloist in 1913 at a ‘Grand Evening Concert’ in aid of Gateshead Independent Labour Party, alongside another well-known Heatonian, Colin Veitch, who lived just five minutes walk away on Stratford Villas. The following year, he performed with Gerald Veitch in a Newcastle Operatic Society performance of ‘The Yeoman of the Guard’  and soon after Colin conducted Herbert in Newcastle Amateur Operatic Society’s ‘Merrie England’.

In 1916, Herbert married shorthand typist, Edith Jane Ord of 54 Rothbury Terrace. Edith was also a keen singer. The couple lived in Jesmond when they were first married but soon returned to Heaton to 22 Crompton Road, where they lived for almost 20 years. That is where they were living at the outbreak of WW2, when Herbert was still listed as a joiner. Later they spent time at 211 Benton Road and then 12 Ravenswood Road, where Herbert died in 1961, aged 83.

Margaret Howson

We know that, after the tour, Margaret spent some time in South Africa because on 12 October 1919, she set sail from Cape Town to Southampton and was listed as a recent resident of that country and a music teacher. She returned to the north east where in 1923 in Hexham, she married Sidney Wilfred Lewis, a travelling sales rep for concrete and quarry plant, who had two children from a previous marriage. The couple lived in Stocksfield where their daughter, Dorothy, was born two years later. But by the outbreak of WW2, Mary had separated from Sidney and was living in London, where she described herself as a retired violin tutor. She died in Northampton in 1971, aged 82.

Jean Finlay Terry 

In 1913, a book ‘Northumberland Yesterday and Today’ by Jean F Terry LLA (St Andrews) 1913  was published. LLA stands for ‘Lady Literate in Arts’ and was offered by the University of St Andrews from 1877, fifteen years before women were admitted to Scottish universities. It became popular as a kind of external degree for women who had studied through correspondence or by attendance at non-university classes and continued until the 1930s. You can still find Terry’s fascinating local history book online and in second hand shops. We haven’t yet been able to prove that it was written by our Jean but there don’t seem to be any other likely contenders. If more evidence is required, not only does the author mention Heaton and Armstrong Parks in the text, she also included many poems and, particularly, folk-songs.

In 1914, Jean was elected to the committee of the Newcastle branch of the Victoria League at its AGM held at Armstrong College. The Victoria League for Commonwealth Friendship was founded in 1901 to connect people from Commonwealth countries and promotes cooperation and peace. It was noteworthy in that, during the early years, it was predominantly a women’s organisation at a time when women still didn’t have the vote. At that time, ’through philanthropy to war victims, hospitality to colonial visitors, empire education and the promotion of social reform as an imperial issue, it aimed to promote imperial sentiment at home and promote colonial loyalty to the mother country’, all aims which Henry Coward and Charles Harriss would heartily endorse (in fact Coward pays tribute to the league in his account of the tour). It is still active today.

In 1926, there is a record of her travelling back from Marseilles to her home in Jesmond.

At the outbreak of WW2, Jean was described as a retired teacher, living with her younger brother Arthur, a retired civil servant, and their housekeeper in Stocksfield, where she lived until she died in 1951, aged 86.

Florrie Hamilton

Florrie continued to sing with the Newcastle and Gateshead Choral Union and in April 1912 was billed as ‘soprano of the famous Sheffield choir’ when she sang at two East Cramlington Primitive Methodist Church services. There is a record of her singing another solo the following year at the annual Wesley Guild and Christian Endeavour rally in Seaton Burn alongside Walter Gardner of Heaton Road Wesleyan Guild. Less than two and a half years later, she married Walter, a shipbrokers’ clerk, who in 1911 was living with his family in Falmouth Road, just three minutes walk away from Florrie and her family. The couple went on to live at 92 Cartington Terrace. In 1919, Florrie gave birth to their daughter, Muriel.

Florrie continued to perform. In 1923, she ‘acquitted [herself] with refinement and expression’ as an accompanist at a recital at Bainbridge Memorial Wesleyan Church.

Parenthood didn’t signal the end of travel for Florrie either. We know that in July 1926, she and young daughter, Muriel, were in the USA. They travelled back from New York to Southampton on the RMS ‘Homeric’. By this time, the family was living in Whitley Bay. Sadly, Florrie died in 1936, aged only 49.

John Charles Hamilton 

John returned to Heaton where his wife, Rachel, and son, Walter, had been continuing to live while John and Florrie were on tour but the family was soon separated again when Walter joined the Northumberland Fusiliers to serve in WW1. In 1917, Rachel and John received the news that he had suffered slight gunshot wounds.

 John died at Florrie’s home in Whitley Bay on 30 August 1925, aged 64.

Molly’s Story

As for Mary Wharton Parkinson, she and Fred continued to write to each other and, only two years after the world tour, she set sail once again, this time straight to New Zealand. The couple married on 11 December 1913 in Wellington. 

By this time, Fred had set up an engineering and plumbing business in Tauranga in Bay of Plenty on North Island. Music played a big part in the couple’s life together. The month after their wedding, Molly and Fred performed in a local Methodist church concert: they played a piano duet together and both sang solo. We know that Molly also played the organ. And later in the year, Molly gave a talk about the world tour. If only we could know what she said!

But, important as it was, there was much more to Molly’s life than music. She and Frederick had four children. In 1916, she was elected president of the local Women’s Christian Temperance Movement and, when her children were older, she also became a ’leading light’ in the Country Women’s Institute, Maori Women’s Welfare League, the Girl Guides and other community organisations, often providing hospitality and accommodation to these groups in the extensive property, she and Fred had bought when they were first married. Fred died in 1957 age 73.

Mary Wharton Christian was awarded the MBE in 1975 and died one month short of her hundredth birthday in 1979.

Full Circle

Although it has only been possible to give a flavour of the tour and the lives of the Heaton singers who experienced it, none of it would have been possible without the help received on a virtual round the world journey reminiscent of that undertaken by Molly and our Heaton tourists 109 years ago, albeit this time online. 

After reading about those who had passed the audition in the ‘Newcastle Journal’, just as for the successful singers, my first stop was Sheffield, where Chris Wiltshire, composer, choral conductor and the author of a book about the letters home of choir member, May Midgley, told me that he too used to do Henry Coward’s regular commute between Sheffield and Newcastle, as for many years he had conducted the Felling Male Voice Choir as well as the Sheffield Chamber Orchestra. Going the extra mile to help us find out more about our local singers, Chris put me in touch with Caroline Roberts of Durham University, who he said was also researching the north east representatives.

Meanwhile, via North America (well, Google) came the exciting discovery of an article on a local history website much like our own. This told the story of how Molly had got to know Fred Christian and their subsequent life together in Tauranga. It mentioned that one of Molly’s daughters had been a generous benefactor of the local history society. A couple of emails later and we had learnt that the piece had been written by Julie Green, the wife of Molly’s step grandson, and that all Molly and Fred’s photos, diaries and letters were in her loft!

And there was more! It turned out that not only had Caroline Roberts done a huge amount of research into the tour and, in particular, the Tyneside contingent, over many years and was very generously willing to share everything she knew about our Heaton singers – and more – but incredibly she was the daughter of Heaton History Group members, Joyce and Paul Craggs. Paul’s great grandfather, Fred Knowles, was a member of the touring choir and it was fellow HHG member Paul who, browsing in a Corbridge antique shop, had found the framed photograph from which the individual images of the singers you see above have been taken. All roads truly lead to Heaton!

Acknowledgements

Researched and written by Heaton History Group’s Chris Jackson with huge help from Julie Green, Caroline Roberts and Chris Wiltshire. A big thank you to all of them.

Other Sources

The Diary of Eliza Bustin Vinycomb (unpublished); Christchurch Archives, New Zealand

Round the World on Wings of Song: reciprocity / by Sir Henry Coward; Northend, 1933

Tauranga Historical Society Blog: Mary Wharton Christian (nee Parkinson) / by Julie Green, 2019

12 Oak Avenue: the letters of Henrietta May Midgley 1911 / by Christopher Wiltshire; Wiltsmusic, 2018

To Walk Upon the Grass: the impact of the University of St Andrews’ Lady Literate in Arts, 1877-1892 / by Elisabeth Margaret Smith; University of St Andrews PhD Thesis, 2014

Women, Gender and the Promotion of Empire: the Victoria League 1901-1914 / by Eliza Riedi; The Historical Journal 45.3 (2002) pp 569-599

Ancestry, British Newspaper Archives and other online sources.

Can You Help?

If you know more about any of the Heaton singers or have photographs (or diaries!) to share, we’d love to hear from you. You can contact us either through this website by clicking on the link immediately below the article title or by emailing chris.jackson@heatonhistorygroup.org

Coquet Villa – house of romance

Take a stroll through Jesmond Old Cemetery and you’ll come across this imposing headstone.

Headstone of George Thompson, Coquet Villa

Headstone of George Thompson, Coquet Villa

Inscription on Thompson family vault (detail)

Inscription on Thompson family vault (detail)

It marks the grave of George Thompson, who, the inscription tells us, ‘died at Coquet Villa, Heaton on May 2nd 1905’. It’s quite unusual for a gravestone to pinpoint where its incumbent passed away so it suggests that Coquet Villa was a special place for the deceased and his family.

The name ‘Coquet Villa’ may not be familiar to you – the gatepost on which its name was carved was replaced decades ago – but, a hundred and ten years later, the house is still much admired, one of only two private residences to have been nominated in Heaton History Group’s 2013 bid to find Heaton’s favourite buildings. Coquet Villa was the original name for 246 Heaton Road, which you probably call ‘the turret house’.

Coquet Villa 2015

Coquet Villa 2015

Lifting the spirits

The land on which the house stands was sold by William Watson-Armstrong, Lord Armstrong’s nephew and heir, on 31 December 1900 just 3 days after his uncle’s death. The agreement stipulated that two semi-detached residences be constructed within nine months of the contract being signed. George Thompson paid £574 11s 1d, a substantial sum then. However, it was some 21 months earlier, in March 1899, that he had first commissioned the well-known local firm of architects, Hope and Maxwell, to draw up designs for a pair of semi-detached houses to fit the site. This suggests that plans for the sale of land were in train well before Lord Armstrong became ill.

Hope and Maxwell's plans for Coquet Villa and Redthorpe next door

Hope and Maxwell’s plans for Coquet Villa and Redthorpe next door

The two houses were of similar specification, apart from the distinguishing feature of that on the right – the one which Thompson chose to be his own home and called ‘Coquet Villa’. It’s only this one that has the famous attic turret. Like you, we wondered why.

William Hope and Joseph Charlton Maxwell are particularly remembered for their design of theatres, not only locally in Blyth and Newcastle, but as far afield as Glasgow, Margate and Southampton. Sadly the Hope and Maxwell theatres have all been demolished or destroyed by fire, but another of their public buildings does still stand – almost next door to Coquet Villa: it’s Heaton Methodist Church – and it too had a single turret until very recently.

Churches and theatres have to be more than functional buildings, of course: they’re designed to raise the spirits. If that was the aim of Hope and Maxwell and their client, Coquet Villa, still much enjoyed by passers-by as well as those lucky enough to live there, can be considered a huge success.

Echoes of childhood

George Thompson, the son of a Warkworth grocer, described himself as a ‘commercial traveller’. He and his Scottish wife, Margaret, moved to Newcastle, living first in Malvern Street, Elswick, and then at 22 Simonside Terrace before they were eventually able to afford their long term family home, which they nostalgically named after the river that flows through George’s boyhood village.

After the delay to the start of the build, things moved apace and George and Margaret soon moved in with their teenage sons, 17 year old Lonsdale Copeland and 14 year old Norman Malvern (who, again rather romantically, seems to have been named after the Elswick street in which his parents began their married life).

Perhaps Warkworth is a clue to the turret too. George grew up in the shadow of the famous castle and perhaps wanted to recreate some of its grandeur in his own dream home. Margaret too grew up close to a magnificent castle not short of turrets: she was from Edinburgh.

But a visit to Tyne and Wear Archives to view the original plans showed that internally the turret served a more practical purpose. As you can see from the image below, the front room in the attic was designed to be a billiards room. It was the ideal place for the two boys to hang out without disturbing their parents or perhaps George enjoyed the company of his sons over a game. We don’t know. But it is clear that the room was designed to accommodate the table with just enough room for the players to move around it comfortably. So where would onlookers and the player awaiting a turn at the table sit without being in the way? On a recessed window seat of course, with lovely views over Heaton Park towards Newcastle. In a turret. Genius!

Hope and Maxwell's plans showing the attic billiard room at Coquet Villa

Hope and Maxwell’s plans showing the attic billiard room at Coquet Villa

Family home

The house is a large one for a family of just four but the additional space was used. The Thompsons were joined by a niece of George’s, Christiana ‘Cissie’ Robson and the 1901 census shows them having a live-in servant, 18 year old Agnes Chandler.

Sadly George did not enjoy Coquet Villa for long. As we have seen, he died there just a few years later at the age of 52. But what happened to his bereaved family?

Margaret, Cissie and the boys remained in the family home until, in 1910, Lonsdale married Frances Maud Holland, daughter of Sir Thomas Henry Holland, an eminent geologist. (In 1939 Thomas was awarded the Royal Society’s prestigious Albert Medal, an honour earlier bestowed on at least two other men with Heaton connections, Lord Armstrong in 1878 and Charles Parsons in 1911). Frances had been born in India where her father was working at the time. Her mother was also born in India). The newlyweds started married life in Gosforth with Lonsdale making his living first as a woollen merchant and then a tailor, with his own business. At the time of his death, in 1957, he was living in Great Malvern in Worcestershire.

In 1916, Norman married Jeanne Julie Maude Rodenhurst, the youngest of six children of Harry, a wholesale millinery merchant, and his French wife, Jeanne, who lived in Deneholme on Jesmond Park East. The wedding was at St Gabriel’s Church. Norman set up as a market gardener in Ponteland, where he was eventually succeeded by his and Jeanne’s son Derrick. Jeanne’s brother, also called Norman, described himself as a tomato grower, so it’s possible that the brothers in law set up in business together. Norman died in 1968 and is buried in the family vault in Jesmond Old Cemetery with his wife Jeanne, his father and his mother, who died in 1935 at the age of 79.

Cissie died on 25 October 1914. Three days later, her funeral cortège processed from Coquet Villa to Heaton Station to meet the 8.05 train to Rothbury, where she was interred.

But with the war over, Cissie having passed away and her sons flown the nest, Margaret sold the family home, now clearly too big for her. The purchaser was a man called Frank Fleming, who stayed only three years.

The wanderer

Next came Charles and Mary Kirk, whose family was to be associated with Coquet Villa for another 14 years. Charles, like his father Samuel before him, was a slate merchant. Samuel Kirk was born and grew up in Boston, Lincolnshire but by 1871 had moved to Newcastle, no doubt to take advantage of the building boom in the industrial North East. He set up on his own in 1883 in Ridley Villas, following the dissolution in 1883 of a partnership, Kirk and Dickinson. The firm eventually passed to his son, Charles, who in 1911 was living at 14 Rothbury Terrace with Mary, his wife, five children (May 8, Annie 7, Samuel 6, Mary 4 and Charles 2) and two servants, Annie Wood and Florence McIntoch.

By 1917, the family had moved round the corner to 18 Jesmond Vale Terrace. In that year, with World War One raging, we know that Charles sailed from Sydney to San Francisco on the SS Ventura, that ship’s final voyage before it was commissioned by the Australian government to transport troops. In January 1918 he sailed from New York to Liverpool on the SS St Louis. His occupation is given as ‘exporter’. The ship’s Wikipedia entry illustrates just how hazardous these journeys were:

‘On 17 March 1917, she [SS St Louis] was furnished an armed guard of 26 United States Navy sailors and armed with three 6-inch guns, to protect her from enemy attack as she continued her New York-to-Liverpool service. On 30 May, while proceeding up the Irish Sea and skirting the coast of England, she responded rapidly to the orders, “Hard Starboard,” at the sighting of a periscope, and succeeded in dodging a torpedo while apparently striking the submarine which fired it. Later dry-dock examination revealed that 18 feet of her keel rubbing strake had been torn away. On 25 July, her gunners exchanged fire with a surfaced U-boat, some three miles away, and sighted many near misses.’

A book (‘Missouri at Sea’ by Richard E Schroeder) refers to the ‘bitter North Atlantic storms of 1917-18′. It would be fascinating to know more about what took Charles around the world at such a dangerous time. Another so far unanswered question is whether Kirk’s slates were used on the roof of Coquet Villa – and its locally famous turret.

Like George Thompson though, Charles and Mary didn’t enjoy Coquet Villa for long. Charles died in 1925, aged only 59, and Mary in 1927, after which the house was let to a number of tenants including Joseph Hilliam, a wallpaper manufacturer, and Joseph H Hood, a musician. Eventually, in 1936 it was sold to Harriet May Morton, wife of John Hugh Morton, a cashier.

Like many of the other owners, the Mortons moved only a matter of yards – from what would then have been a new house on Crompton Road almost opposite Coquet Villa. Later occupiers included Martha Ellen and Allan Frankland Holmes; Ronald George Smart, a commercial traveller; Alexander Reed Morrison, a medical practitioner; Torleif Egeland Eriksen, a Norwegian dental surgeon and his wife, June Margaret; George and Thora Brown of Thetford in Norfolk and Dr M M Ahmed. We hope you’ll help us uncover more about some of them in due course.

Full circle

Like the Thompsons, the current owners, Helen Law, a fine artist originally from Leicester (where, incidentally, her great grandfather set up a football boot manufacturing company – the firm made the retro boots used in the 1982 film ‘A Captain’s Tale’ about West Auckland Town winning the first World Cup) and Richard Marriott, a teacher, saw the house as the ideal family home. Although separated from the original owners by a century or more, they clearly share the romanticism which led George Thompson to name the house after the River Coquet, on the banks of which he played as a boy and to commission an architect to echo the magnificent castles so familiar to him and his Edinburgh-born wife. On their first night in their new home, Richard donned a suit, went down on one knee and proposed to Helen in the turret. Later, they lovingly restored the attic, which had long been an unloved dumping ground, to its former glory. They renovated the turret, building a magnificent new window seat, which they enjoyed with their children and still love to sit in today.

Interior of Coquet Villa's turret, 2015

Interior of Coquet Villa’s turret, 2015

You feel sure that George and Margaret would approve.

Footnote

You may have noticed (June 2015) that 246 Heaton Road is up for sale. As with Margaret Thompson, almost 100 years ago, the house is too big for the current owners now that their children have flown the nest.

Can you help?

If you can add to the story of Coquet Villa and those who have lived there – or you would like us to look into the history of YOUR house, either leave a reply on this website by clicking on the link immediately below the article title or email chris.jackson@heatonhistorygroup.org