Tag Archives: Malcolm Street

Forgotten Music Makers of Heaton

If you were asked about Heaton’s most important exports, you might well mention great feats of engineering, such as Sir Charles Parsons’ ground-breaking steam turbines, or Grubb Parsons’ telescopes, both of which are still to be found throughout the world. Or perhaps you’d suggest music, with local boy Chas Chandler, inducted into Rock and Roll’s Hall of Fame with ‘The Animals’ in 1994 – the band’s 60s’ songs still played and performed all over the world half a century after they were written. We rightly commemorate such achievements with plaques, books and museum displays.

But hands up if you’ve ever stopped on Grafton Street and given even a passing thought to the local men who married both of the great Heaton industries of engineering and music?  In truth, you might never have had cause to go to Grafton Street at all: since redevelopment of the area, it’s perhaps the shortest street in Heaton (or is it Byker?) comprising little more than four parking bays (usually full) facing Shields Road and a single yellow line. There’s a pawnbroker’s shop on one corner and a council customer service centre on the other.

GraftonSt_IMG_3807resized

Grafton Street

But there’s also a nearby bench on which you can sit and listen. There may still be music in the air.

So let’s rewind.

Apprentice

Charles William Howden was born in All Saints parish, of which Heaton was a part, in 1865 and baptised in St Nicholas’s Cathedral on 28 May of that year. He was the eldest child of Ryton born, Margaret Isabella, and John Howden, a shipping clerk from Wakefield in Yorkshire.

By 1881 at the age of 16 and still living with his parents and now four younger siblings in the west end of Newcastle, Charles was described as an ‘organ builder’s apprentice’. Ten years later, still living in the parental home, he is described on the census as an ’employer’ and ‘organ builder’.

We don’t yet know to whom young Charles Howden was apprenticed but we can trace the development of the organ building firm that bears his name from its foundation c1893  via Forth Street  and Snowdon Street in Newcastle to 65 Grafton Street, Heaton. Howden had joined forces with one William Charlton Blackett, the Bensham-born son of a coal agent, to set up the firm of Blackett and Howden Ltd.

Inventors

Like other more famous engineers operating around Heaton at this time, Blackett and Howden weren’t content to copy what had gone before. They wanted their organs to be better than everyone else’s. We can trace several patent applications: for ‘pallets‘ (1891). ‘pneumatic action’ (1895) and ‘blowing‘ (1904).

According to organ historian, James Ingall Wedgewood, they may have invented what is known as a ‘diaphone‘, the noise-making device best known for its use as a foghorn. While the invention of the diaphone is commonly attributed to Robert Hope-Jones,  it was apparently Blackett and Howden who first experimented with it as early as 1888:

‘It frequently happens in organ building, when the requisite conditions are fortuitously complied with, that a pallet will commence to vibrate rapidly, and it is often within the province of an organist’s or organ builder’s observation that such a “fluttering pallet,” or a Tremulant in a state of rapid vibration, when provided with a resonator in the form of a soundboard or wind trunk, generates tones of considerable power. The safety valves of steamboats constantly act similarly. … The idea must doubtless have occurred to many builders … that such phenomena might systematically be adapted to tonal use.

An experimental attempt at such adaptation was made in 1888 by Messrs. Blackett & Howden, of Newcastle [England]. The bulk of the apparatus employed was enclosed in a box (15 ins. square for the 16 ft. note). Wind passed into a chamber containing a vibrator in the form of a circular disc fixed on to the loose end of a spring, and so arranged as to beat against a hole in the under side of the resonator, being regulated in pitch and intensity by a sliding bridge and set-screw.’

Whether because they were louder or simply because they were of superb quality, Blackett and Howden organs were sold not only across the north east but soon throughout the UK and even overseas.

Some of the earliest church organs for which records exist are in Scotland; the one in the Braid Church in Edinburgh was built in 1898 and there were other early instruments in Glasgow, West Kilbride and Montrose. At one point the firm did so much business in Scotland that it ran a second workshop in Glasgow. Another one followed in Cardiff.

Close to home

According to the British Pipe Organ Register, locally, the firm built the organ for St Gabriel’s (date unknown), Heaton Methodist Church (1910) and Heaton Congregational Church (1920).

The transport costs to Heaton Congregational Church must have been among the lowest for any Blackett and Howden organ: the church (now Heaton Bingo) was only a few hundred yards from the factory. Unfortunately, we don’t know what happened to this organ: it doesn’t appear on the current National Pipe Organ Register.

HeatonRoadCongregationalChurchresized

Heaton Congregational Church’s Blackett and Howden organ was installed in 1920

 

There is some confusion regarding the St Gabriel’s organ. According to the British Pipe Organ Register, organ N04082 was surveyed in St Gabriel’s in 1944 and described as ‘built by Blackett and Howden (date unknown)’. According to the opening sentence of a report written in 1994 by Paul Ritchie: ‘The builders of St Gabriel’s organ would appear to be modest as there is no name plate on the console, nor do the bellow weights carry their initial letters’. Ritchie goes on to say: ‘Somewhere in the back of my memory is a little voice saying Abbott and Smith’. And indeed there is another entry in the register for St Gabriel’s: organ N12464 ‘built by Abbott and Smith in 1905; surveyed in 1980′. Another unsigned and undated report states that Blackett and Howden installed an exhaust-pneumatic action around 1920 and that, at the same time, tuba and pedal trombone were added ‘and the Great Organ gained a large Open Diapason with leathered upper lips. This latter stop was placed on a separate unit chest and was reported to be rather poor; it was removed by Willis in 1963′.

But there are no such doubts about the instrument in Heaton Methodist Church. It was inaugurated on Wednesday 4 May 1910: ‘there were recitals from 2.30pm, followed by a public tea. Special services took place on the next three Sundays and a concert took place on Monday 23rd May.’ And it’s is still going strong.

BlackettandHowdenHeatonMethChurchIMGP1538a

Heaton Methodist Church organ

A celebratory concert was held in 2010 to celebrate the centenary of its installation and the programme included a short history of both the organ and of Blackett and Howden itself.

Organ Centenary Concert - Programme

Heaton Methodist Church organ centenary programme

 

Military march

But perhaps the most famous Blackett and Howden organ still played today is in the Royal Memorial Chapel of the Royal Military Academy Sandhurst, which was built in 1924. The instrument is described in the history of the organ as ‘for its time, fairly cutting edge technology’ with ‘pioneering use of tubular pneumatic action’. After the war, the architect Sir Hugh Casson designed a new organ case for the instrument above the chapel’s main war memorial. At this point the organ was rebuilt and enlarged but using a lot of the original pipework.

 Rescue

Sadly many Blackett and Howden organs have been destroyed over the years but that originally built for the Prince’s Theatre in North Shields was fortuitously rescued by an Australian enthusiast. Apparently this was the only unit theatre organ ever built by the firm (in 1929) and its console was displayed at the North East Trade Fair Exhibition.

Records show that the flue pipes were ‘voiced’ by Syd Goldsmith and the reeds and strings by Frank ‘Hubbert‘ (although we believe this to be Frank Hubbard who in 1911 was living on Tosson Terrace, Heaton). The skill of manipulating an organ pipe to make it sound is known as voicing: ‘Each pipe must be made to play with the proper onset of sound (known as speech), sustained tone, and volume. When the voicing process is complete, each individual pipe in the organ forms a beautiful musical instrument.’

According to locals, the Prince’s Theatre organ had ‘a beautiful tone with sweet voicing and ample power for the large house.’ Although its console was destroyed in 1969, its chamber contents were bought for £75 by the Organ Society of Australia.  They even obtained the original receipt!

BlackettandHowdenReceiptPrince'sTheatre

Blackett and Howden document

In 1975, it was installed in Cinema North in Reservoir, Victoria. In 1999, it was moved to Coburg Town Hall, also in Victoria. You can read the full story of  this wonderful instrument here:

Eastward ho

We have found a record showing that, on 16 January 1917, William Blackett sailed from London to Hong Kong on the Japanese ship, SS Fushimi Maru. It was a dangerous time to be at sea: over 200 allied ships were lost during January 1917 alone. But it shows that Blackett and Howden’s reputation was worldwide. As you can see below, most of Blackett’s fellow British passengers were missionaries or nurses.

BlackettandHowdenpassengerlistIMG_3809_resize-2

Fushima Maru passenger list including William Blackett

The organ of St John’s Cathedral in Hong Kong was built by William Blackett ‘an elderly, bearded gentleman’ who ‘had come to the colony to install one of their organs in a church in the colony. Finding the climate congenial, he decided to stay and set up a small organ factory in the city. He recruited a group of Chinese and taught them the trade’.

Full renewal of the existing organ was priced at $14,000 but fundraising was suspended because of what was called ‘troublous times’ in 1925: a strike and anti-British boycott ignited by a deadly shooting during a strike in Shanghai, fuelled to fever pitch by British and French guards killing demonstrators in Canton. Nevetheless the organ was complete by 1927 and services, in which the organ could be heard, broadcast on the radio the same year.

Sale

Meanwhile back home, Blackett and Howden was sold to the London firm of Hill, Norman and Beard in 1924. At this time, John Christie of Glyndebourne became the major shareholder and Charles Howden became general manager with Ralph Walton Blackett, William’s son, sub-manager.

But on 25 September 1927, with William Blackett still in Hong Kong, Charles Howden died at the age of 62 at his home, 35 Rothbury Terrace. He left £1873 3s 3d in his will, a modest sum considering the success of the company he had co-founded more than thirty years earlier.

Blackett and Howden’s name continued to be used, however. It traded from its Grafton Street premises for another half century. The Heaton factory finally closed in 1974, when the remaining part of the business was purchased by N Church & Co.

Team effort

William Blackett and Charles Howden did not, of course, build their organs alone.

Hopefully this article will enable us to trace people employed in the factory in later years. In the meantime, it seems appropriate to pay tribute here to some of the workers listed in the 1911 census whose reputation and, in some cases, expertly crafted musical instruments live on more than a hundred years after they were made.

One of these was Terrot G Myles who, in 1911, was 30 years old. He lived at 149 Molyneux Street.

Blackett&HowdenTeretGMylesIMG_2086 (1)

Terrot G Myles

Terrot is described in the census as an ‘organ builder‘. Thanks to his granddaughter, Grace, we have  photographs of him and know quite a lot about his life. Terrot was born in Glasgow but moved to Edinburgh as a young boy. After leaving school, he was apprenticed to Ingram & Co, a firm of organ builders, in their Edinburgh factory and progressed to become a journeyman. The firm described him as ‘smart, willing and punctual’ and recommended him to future employers. In 1908, Scovell and Company called him ‘a most conscientious and painstaking worker, perfectly steady and reliable and a good all round man’. His reference made it clear that he was leaving the company only due to ‘depression of trade’ and they expressed a hope that he would return at some future date.

By this time though Terrot had already married Isabella Younger, a bookbinder from Sunderland. Their elder son, Richard, was born in Hampshire in 1908 but by 1911, they were in Newcastle, where, a year later, their younger son, John was born. We can only guess that while in Heaton and working as an organ builder, Terrot was employed by Blackett and Howden but it seems a fair assumption to make.

However, in 1923, the family set sail from Liverpool to New York in search of a better life. Terrot spent the next eight years working for Henry Pilcher’s Sons, an organ builder, in Louisville, Kentucky. He became a naturalised American the following year and spent his career building and installing organs all over the USA. He received and treasured many glowing references, which Grace still has. Terrot and Isabella eventually moved to White Lake, Michigan, where Isabella died in 1954 and Terrot a year later, aged 73 years.

Others listed in the 1911 census include:

William Blackett, aged 52, 13 Brough Street, Heaton Joiner in Organ Factory (We don’t know whether he was related in any way to the firm’s co-founder, William Blackett, who lived in Whitley Bay at this time)

Charles Brassington, aged 31, 26 Heaton Park Road, organ builder

John Wastle Craig, aged 14, 15 Tynemouth Rd, organ builder assistance

William Gill, aged 54, 13 Addison Street, organ builder, voicer, tuner

Thomas Miller Hendry, aged 23, 39 Langhorn St, organ builder

Frank Hubbard, 83 Tosson Terrace, organ voicer (*Almost certainly the Frank ‘Hubbert’ who voiced the North Shields organ. See above.)

James William Jobson, aged 50, 10 North View, organ builder

John Jobson, aged 16, 10 North View, apprentice organ builder

John George Millington, aged 34, 188 Warton Terrace, organ builder (Later lived in King John Terrace until his death in 1962)

John Matthew Mitchell, aged 63, 72 Addycombe Terrace, organ builder

John Henry Reed, aged 22, 80 Eighth Avenue, organ builder

Ernest Routledge, aged 22, 57 Malcolm Street,  organ pipe maker (Ernest died in 1918 aged 29 as did his 2 year old son, Roland)

Whenever you listen to organ music this Christmas, spare a thought for these Heaton master-craftsmen and the lasting joy they have brought to the world.

Can you help?

If you know more about any of the people or organs mentioned in this article or of anyone who worked at Blackett and Howden’s, we’d love to hear from you. We’d also be interested to hear and see photographs of any other Blackett and Howden organs you see on your travels. Please either leave a reply on this website by clicking on the link immediately below the article title or email   chris.jackson@heatonhistorygroup.org

Acknowledgements

Researched and written by Chris Jackson, Heaton History Group. Thank you to HHG member, Joyce Lovell, and to George Cottrell for information about Heaton Methodist Church organ; to Pauline Giles for information about St Gabriel’s organ;  to Grace Myles for photos and information on Terrot Myles.

Sources

Biographical Dictionary of the Organ

Laurence Elvin ‘Family Enterprise: the story of some north country organ builders‘ 1986

Norman F Moore and W Kirby Robinson ‘From Byker to Heaton: the origins and history of Heaton Methodist Church’ Pattinson, 2000

 National Pipe Organ Register list of Blackett and Howden organs 

James Ingall Wedgwood ‘A Comprehensive Dictionary of Organ Stops English and Foreign, Ancient and Modern’ The Vincent Music company, 1905 (via Wikipedia entry for Diaphone)

Stuart Wolfendale ‘Imperial to International: a history of St John’s Cathedral Hong Kong’ Hong Kong University Press, 2013

and online sources eg Ancestry

Two Heaton war heroes honoured

Two military heroes associated with Heaton have been honoured in separate ceremonies in Newcastle. Firstly, on 29 August 2017, Edward Lawson was one of three recipients of the Victoria Cross to whom a new memorial was dedicated.

LawsonVC Plaque with Wreathsresized

Monument to Newcastle’s VC winners including Edward Lawson, who lived in Heaton for many years.

Then, on 23 September 2017, another adopted Heatonian, Company Sergeant Major John Weldon DCM was honoured at a ceremony on the Quayside.

Weldon5RegFlagBearersandBuglers

Edward Lawson

Edward Lawson was born on 11 April 1873 at 87 Blandford Street, Newcastle (within yards of the spot where his memorial now stands). His father was a cattle drover.

As a young man of 17, Edward joined the Gordon Highlanders. In the 1890s the regiment was called into active service on the North-West Frontier province of what was then known as British India. On 20 October 1897, a famous battle was fought at Dargai Heights, at which 199 of the British force were killed or wounded.

24 year old Edward Lawson carried a badly injured officer, a Lieutenant Dingwall, to safety. He then returned to rescue a Private McMillan, despite being wounded twice himself. He, along with a colleague, Piper George Findlater, was awarded the Victoria Cross for bravery. Edward’s award was presented to him personally by Queen Victoria at Windsor Castle on 25 June 1898. He then returned home to work in the East End Hotel in Newcastle (or, as we now know it, the Chilli!).

According to military records, Lawson soon returned to his regiment and served until 31 October 1902, including in South Africa during the Second Anglo-Boer War. He received further military medals and clasps for this period of service.

Back home

On 14 March 1908, Edward married Robina Ursula Scott. At this time, he was living at 128 Malcolm Street and working as an electrical wiremen. The Lawsons soon moved to 14 Matthew Street, South Heaton just north of Shields Road, where they brought up their six children. Matthew Street was their home until c1924 (when Edward was 51 years old) at which time they relocated to Walker where they were to live for the remainder of their lives. Edward Lawson VC died on 2 July 1955. He is buried in Heaton and Byker Cemetery, where in 1999 a new headstone was erected on his grave. His Victoria Cross is held by the Gordon Highlanders Museum in Aberdeen.

On 29 August 2017, a memorial of grey granite was unveiled outside the Discovery Museum. It bears individual plaques to Private Edward Lawson VC  along with Newcastle’s two other recipients of the gallantry award: Captain John Aiden Liddell VC, MC and Private Adam Herbert Wakenshaw VC. Her Majesty’s Lord Lieutenant of Tyne and Wear, Mrs Susan M Winfield OBE, presided, assisted by Lord James Percy, Honorary Colonel Lord James Percy of The Royal Regiment of Fusiliers. Members of Edward’s family were in attendance.

LawsonLynda Joan & Barry at VC Memorialresized

Members of Edward Lawson’s family after the unveiling

You can read more and see photographs relating to Edward Lawson here.

John Weldon

John Weldon was born c1885 in Stannington, Northumberland. By 1901, he was living with his family at 44 Chillingham Road, Heaton, and was working as a signalman on the railways.

In 1912, he married Isabella Laidler and the couple were living at 48 Mowbray Street. The next year, their only child, Margaret Isabella, was born. Sadly she was not to get to know her father. When she was only one year old, World War One was declared and John was  recruited by Northumberland Fusiliers into its 16th Battalion, a so-called ‘Pals’ regiment, known as ‘The Commercials’.

John had, by now, been promoted to the rank of Company Sergeant Major. Along with his comrades, he was on active duty on 1 July 1916, the first day of the Battle of the Somme. On this day, 1,644 Northumberland Fusiliers were among 19,240 British soldiers who died in just a few hours.

John was among the survivors. But a citation in the ‘London Gazette’ some months later, gave some indication of his bravery:

 ‘For conspicuous gallantry in action.  He led his platoon with great courage and determination, himself accounting for many of the enemy. Later he dressed 13 wounded men under fire.’

Just over a year after that tragic day, John Weldon was given a ‘Hero’s Reception’ at the Newcastle Commercial Exchange (The Guildhall) on the Quayside in honour of his being awarded the Distinguished Conduct Medal.

The Sheriff  of Newcastle, Arthur A Munro Sutherland reported that Weldon’s company went over the top at 07:30am and when all the officers were out of action, he took charge of the company. He did not return to the trenches until 10:45pm after lying out in ‘No Mans Land’ under continuous heavy fire. He was known to have killed or wounded 29 Germans. His rifle was twice shot out of his hands. At a later stage in the afternoon he crawled from shell hole to shell hole and was able to collect 15 badly wounded men and get them back to the British trenches.

Death of a Hero

John soon returned to the front. But on 22 September 1917 CSM John Weldon DCM was reported wounded and he died the following day at the 14th Hospital at Wimereux, aged 32. He is buried in the Communal Cemetery there.

Northumberland Fusiliers Museum and archive now has John Weldon’s Distinguished Conduct Medal in its collection and he is listed in ‘Historical Records of the 16th (Services) Battalion Northumberland Fusiliers’ by Captain C H Cooke MC for the Council of the Newcastle and Gateshead Incorporated Chamber of Commerce, The Guildhall, Newcastle, published in 1923. He is also mentioned on the war memorial of Nedderton Council School, Northumberland where he had been a pupil. Locally, he was among the 950 servicemen listed on the St Mark’s Church, Byker war memorial (now Newcastle Climbing Centre) but the whereabouts of this memorial is currently unknown.

On 23 September 2017, a hundred years after his death, on a still, sunny autumn morning by the River Tyne, about fifteen regimental representatives, including flag bearers and two buglers, along with members of the general public remembered the bravery of CSM John Weldon DCM. Ian Johnson, the local WWI historian, was the wreath layer, in the absence of John Weldon’s great-great nephew George Patterson, who unfortunately was unable to attend.

Weldon6IanJohnsonArthurAndrews

Weldon2DCMPamphletPage (1)

A page from the pamphlet produced for the centenary of John Weldon’s death

Ian Johnson, author of ‘Newcastle Battalion World War One’ and Arthur Andrews of Heaton History Group, who has researched the life of CSM John Weldon, at the ceremony.

You can read more and see more photographs relating to CSM John Weldon DCM here.

Private Edward Lawson VC and Company Sergeant John Weldon DCM, Heaton remembers you.

A Road by Any Other Name

On 20th June 2016 in Stratford upon Avon, amateur actors from The People’s Theatre, Heaton will appear in a production of ‘A Midsummer Night’s Dream’ alongside professionals from the Royal Shakespeare Company. That performance, a reprise the following night and five nights at Northern Stage in March, will form part of the national commemoration of the 400th anniversary of William Shakespeare’s death and is a great honour for our local and much loved theatre company.

The People’s Theatre has links with the RSC going back many years. The Stratford company made Newcastle its third home back in the 1970s and the People’s has come to the rescue three times (1987, 1988 and 2004) when an extra venue was needed for one reason or another. But these are far from Heaton’s earliest connections with the ‘immortal bard’ and we’ve decided to explore some of them as part of our own contribution to ‘Shakespeare 400’.

 The Name of the Roads

The most obvious references to Shakespeare in the locality are a group of streets in the extreme south and west of Heaton: Bolingbroke, Hotspur, Malcolm and Mowbray are all Shakespeare characters, as well as historical figures. And immediately north of them are Warwick Street and the Stratfords (Road, Grove, Grove Terrace, Grove West, Villas). But could the literary references be coincidental? Perhaps it was the real life, mainly northern, noblemen that were immortalised? Why would a housing estate, built from the early 1880s for Newcastle workers and their families, pay homage to a long-dead playwright. It’s fair to say our research team was surprised and delighted at what we found.

Two documents, one in Tyne and Wear Archives (V273) and one in the City Library, provided the key. Firstly, in the archives, we found a planning application from Alderman Addison Potter of Heaton Hall and his architect, F W Rich (who later designed St Gabriel’s Church). Their plans show Bolingbroke, Hotspur, Malcolm and Mowbray Streets, pretty much as they look now, but bordering them to the south is Shakespeare Road! No doubt now about the references. (Thank you to Tyne and Wear Archives for permission to use the images below.)

Shakespeareroadplan4ed

Plan of roads near Bolingbroke Street showing Shakespeare Road

Not only that but Lennox, Siward, and Umfreville Terraces also appear. You’d be forgiven for not immediately getting the Shakespearian references there but Siward is the leader of the English army in Macbeth; Lennox, a Scottish nobleman in the same play and Umfreville, we’ve discovered, has a line which appears only in the first edition of Henry IV Part II but, like many of the others, the real person on which he was based has strong north east connections. Clearly the inspiration for the street names came from one or more people who knew their literature and their history.

Shakespeareroadplan3ed

But two sets of plans were rejected by the council for reasons that aren’t clear and, within a year, Addison Potter seems to have sold at least the leasehold of the land to a builder and local councillor called William Temple. Temple submitted new, if broadly similar, proposals. Building work soon started on the side streets but the previous year, Lord Armstrong had gifted Heaton Park to the people of Newcastle and the road to the new public space took its name. And nobody lives on Lennox, Siward or Umfreville Terraces either: they became Heaton Park View, Wandsworth Terrace and Cardigan Terrace.

IMG_5817

Bricks stamped with Temple’s name can still be found in the area. This one is displayed in his former brickyard on the banks of the Ouseburn.

But why Shakespeare? Whose idea was it? A newspaper article, dated 21 May 1898, in Newcastle City Library provided our next clue. A former councillor, James Birkett, was interviewed: ‘Mr Birkett himself occupied a cottage on the land which is now known as South View. There were another cottage or two near his, but they had nearly the whole of the district to themselves’. It continues ‘In front of them was the railway line, and behind was the farmhouse of a Mr Robinson. This house stood on the site now forming the corner of Heaton Park Road and Bolingbroke Street, and one of its occupants was Mr Stanley, who for many years was the lessee of the Tyne Theatre’.

The Tragedian

Further research showed that George William Stanley had a deep love not only of drama but of William Shakespeare in particular.  He was born c 1824 in Marylebone, London. By 1851, Stanley described himself as a ‘tragedian‘ (ie an actor who specialised in tragic roles).

By 1860, he was in the north east. The first mention we have found of him dates from 28 July of that year, when he is reported to have obtained a licence to open a temporary theatre in East Street, Gateshead. A similar licence in South Shields soon followed. Later, we know that he opened theatres in Tynemouth and Blyth.

In 1861, he was staying in a ‘temperance hotel’ in Co Durham with his wife (Emily nee Bache) and four children: George S who is 8, Alfred W, 4, Emily F, 3, and Rose Edith Anderson, 1. He now called himself a ‘tragedian / theatre manager’.  And he had turned his attention to Newcastle, where attempts to obtain theatre licences were anything but straightforward.

In June 1861, Stanley applied for a six month licence for theatrical performances in the Circus in Neville Street. He argued that one theatre (the Theatre Royal) in Newcastle to serve 109,000 people was inadequate; he promised that the type of performances (‘operatic and amphitheatre’) he would put on would not directly compete with existing provision; he produced testimonials and support from local rate payers; he gave guarantees that alcohol would not be served or prostitutes be on the premises. But all to no avail. The Theatre Royal strongly objected; an editorial in the ‘Newcastle Guardian’ supported the refusal. Appeal after appeal was unsuccessful. Stanley continued to use the wooden building as a concert hall and appealed against the decision almost monthly.

In October 1863,  George Stanley made another impassioned speech, in which he begged to be allowed to practice his own art in his own building. He concluded: ‘I will not trouble your worships with any further remarks in support of my application, but trust that the year that witnesses the tercentenary of Shakespeare’s birth, will also witness the removal of any limitation against the performances of the plays of that greatest of Englishmen in Newcastle’.  The Bench retired for thirty five minutes but finally returned with the same verdict as before.

GeorgeStanley

George Stanley, tragedian and theatre manager

Tercentenary

Despite his latest setback, George Stanley started 1864 determined to mark Shakespeare’s big anniversary. In the first week of January, he played Iago alongside another actor’s Othello in his own concert hall. ‘Both gentlemen have nightly been called before the curtain’.

The following week, a preliminary public meeting was held to hear a dramatic oration ‘On the Tercentenary of Shakespeare’ by G Linnaeus Banks of London, Honorary Secretary to the National Shakespeare Committee, and to appoint a local committee to arrange the celebrations in Newcastle. Joseph Cowen took the chair and George Stanley was, of course, on the platform. And it was he who moved the vote of thanks to Mr Banks for his eloquent address.

Unfortunately the festivities were somewhat muted and overshadowed by Garibaldi’s visit to England. (He had been expected to visit Newcastle that week, although in the event he left the country somewhat abruptly just beforehand). There was a half day holiday in Newcastle on Monday 25 April ‘but the day was raw and cold and the holiday was not so much enjoyed as it might otherwise have been’ and  a celebration dinner in the Assembly Rooms, ‘attended by about 210 gentlemen’, was the main event. A toast ‘In Memory of Shakespeare’ was proposed, followed by one to ‘The Dramatic Profession’. George Stanley gave thanks on behalf of the acting profession.

Stanley continued to pay his own respects to the playwright. He engaged the ‘celebrated tragedian, Mr John Pritchard’ to perform some celebrated Shakespearian roles, with he himself playing Othello and Jago on alternate nights.

Tyne Theatre

In October 1865, Stanley’s wooden concert hall was damaged and narrowly escaped destruction in a huge fire that started in a neighbouring building. His determination to open a permanent theatre intensified and he had found powerful allies. On 19 January 1866, it was announced that an anonymous ‘party of capitalists’ had purchased land on ‘the Westgate’ for the erection of a ‘theatre on a very large scale’. They had gone to London to study the layout and facilities of theatres there. It was said that George Stanley would be the new manager.

In May of that year, in a sign that relations between Stanley and the Theatre Royal had at last thawed, Stanley performed there ‘for the first time in years’. And soon details of the new Tyne Theatre and Opera House began to emerge.  Joseph Cowen, with whom Stanley had served on the Shakespeare Tercentenary Committee, was among the ‘capitalists’.

Cowen was a great supporter of the arts and an advocate for opportunities for ordinary working people to access them. He was incensed at the council’s continued blocking of Stanley’s various theatrical ventures and offered to fund the building of a theatre in which Stanley’s ‘stock‘ ( ie repertory) company could be based.

The opening been set for September 1867 but a licence was still required. Stanley applied again on 31 August. The hearing was held on Friday 13 September before a panel of magistrates which included Alderman Addison Potter of Heaton Hall – and this time Stanley and his influential backers were in luck. Just as well as it was due to open ten days later. And it did, with an inaugural address by George Stanley himself.

Despite his earlier claims that the Tyne Theatre wouldn’t compete with the Theatre Royal, Shakespeare was very much part of the programme in the early years: ‘As you Like It’, ‘The Merchant of Venice’, ‘King Lear’… But it was soon acknowledged that there was room for two theatres in Newcastle. Stanley soon found the time and the good will to play the role of Petruchio  (‘The Taming of the Shrew’ ) at the Theatre Royal. He continued to manage the Tyne Theatre until 1881.

Heaton House

It was while still manager of the Tyne Theatre that Stanley moved to Heaton. His first wife had died in the early ’60s. He had remarried and with his second wife, Fanny, still had young children.

Heaton House, as we have heard, stood on what is now the corner of Heaton Park Road and Bolingbroke Street and the Stanley family were living there from about 1878.

The map below is from some years earlier (Sorry it’s such a low resolution. We will replace it with a better version asap) but gives a good impression of the rural character of Heaton at this time. In the top right hand corner of the map, is Heaton Hall, home of Alderman Addison Potter, one of Stanley’s few neighbours and the owner of the farmland on which Stanley’s house stood. Remember too that Potter had been a member of the panel that finally approved Stanley’s theatre in Newcastle.

 os3

Memorial

Potter and Stanley would surely have discussed matters of mutual interest. So while we might not know exactly how the naming of the streets on the east bank of the Ouseburn came about, we can surely assume that George William Stanley, actor, tragedian, Shakespearean, passionate promoter of theatre and neighbour of Potter at the time, played a part. It might have taken almost another twenty years and the name ‘Shakespeare Road’ didn’t make the final cut but Newcastle finally had the long-lasting tribute that George Stanley had wanted for the Shakespeare’s tercentenary.

By the early 1880s the area looked very different. William Temple had developed the fields to the south and west of Heaton Hall;  Heaton House had been demolished and Bolingbroke Street and Heaton Park Road stood in its place; George Stanley had moved back to London.

Stanley would probably be surprised to know that his Tyne Theatre is about to celebrate its 150th anniversary; proud of the People’s Theatre‘s participation in the national commemorations a hundred and fifty two years after his own involvement and delighted that Shakespeare lives on in Heaton.

Can you help?

If you can provide further information about anything mentioned in this article please,contact us, either by clicking on the link immediately below the title of this article or by emailing chris.jackson@heatonhistorygroup.org

Shakespeare 400

This article was written by Chris Jackson and  researched by Chris Jackson, Caroline Stringer and Ruth Sutherland, as part of Heaton History Group’s project to commemorate the 400th anniversary of William Shakespeare’s death.

We are interested in connections between Heaton and Shakespeare through its theatres, past and present; writers, actors – and of course, the famous brick Shakespeare on South View West.

We are also researching and writing about some of the people who have lived in the ‘Shakespeare Streets’: initially, we are looking at Bolingbroke, Hotspur, Malcolm, Mowbray and Warwick Streets plus Stratford Grove, Stratford Grove Terrace, Stratford Grove West, Stratford Road,  and Stratford Villas.

If you would like to join our small friendly research group or have information, photos or memories to share, please contact us, either by clicking on the link immediately below the title of this article or by emailing chris.jackson@heatonhistorygroup.org

 

To Edward Lawson – for valour

The Victoria Cross is the highest military decoration ‘for valour in the face of the enemy’ awarded to British and commonwealth servicemen. It was founded by Queen Victoria in 1856 and to this day only 1,357 have been awarded worldwide. The simple words ‘For Valour’ are inscribed on it. One man so honoured lived and worked in Heaton for many years and is buried in Byker and Heaton Cemetery.

Edward Lawson was born at 87 Blandford Street, near the centre of Newcastle on 11 April 1873. His father, Thomas, is described in the 1881 census as a ‘cattle drover’.

Private Edward Lawson VC - photograph from the Gordon Highlanders Museum

Private Edward Lawson VC – photograph from the Gordon Highlanders Museum

Soldier

As a young man of 17, Edward joined the Gordon Highlanders. In the 1890s the regiment was called into active service on the North-West Frontier province of what was then known as British India. On 20 October 1897, a famous battle was fought at Dargai Heights, at which 199 of the British force were killed or wounded.

24 year old Edward Lawson carried a badly injured officer, a Lieutenant Dingwall, to safety. He then returned to rescue a Private McMillan, despite being wounded twice himself. He, along with a colleague, Piper George Findlater, was awarded the Victoria Cross for his bravery. The award was presented to him personally by Queen Victoria at Windsor Castle on 25 June 1898.

Private Lawson of the Gordon Highlanders

Private Lawson of the Gordon Highlanders

Piper Findlater, the other recipient, was shot in the feet but continued to play his pipes to encourage his battalion’s advance. This act of bravery was widely covered in the press back home and Piper Findlater became a very well-known public figure. On his return to Scotland, much to the consternation of the military and political establishment, he capitalised on his fame and for a while supplemented his army pension by performing in music halls. He went on to be celebrated in literature, art and music.

Modest

Private Lawson seems to have been a more self-effacing man. A few months later, a comrade described him to the Yorkshire Evening Post:

I heard Sergeant Ewart questioning Lawson about the affair: ’Did you know the danger you were in?’ Lawson said: ‘No, I didn’t know what I was doing.‘ …Lawson was always a decent fellow but very rash and reckless: he would stick at nothing… He was made quite a god of in the regiment.

The Aberdeen Weekly Journal (22 June 1898) reported that the Newcastle Evening Chronicle had interviewed him on his return to Newcastle and found ‘a modest, unassuming man, little disposed to talk of his own exploits’. By this time, the paper says, he had completed his period of service and was back home in Newcastle working in the East End Hotel, Heaton. (Does anyone know where this was?*). Official records describe him as a ‘Reservist’ at this time.

The article goes onto describe his military career. After enlisting, Private Lawson had been posted to Aberdeen and after 5-6 weeks training, he was transferred to Curragh Camp in Ireland. He remained in Dublin for about 5 months. He was sent to India in March 1893, where he remained until his discharge. Lawson said that he received ‘a couple of scratches’ during the episode for which he was honoured.

And seemingly the action for which Lawson received the Victoria Cross wasn’t his only act of bravery. According to the newspaper, when, on another occasion, one of his comrades was hit by a bullet and fell into a dried up river bed, Lawson carried him safely to camp.

According to military records, Lawson soon returned to his regiment and served until 31 October 1902 including in South Africa during the Second Anglo-Boer War. He received further military medals and clasps for this period of service.

Back home

On 14 March 1908, Edward married Robina Ursula Scott, who was known as Ursula. At this time, he was living at 128 Malcolm Street and working as an electrical wiremen. The Lawsons soon moved to 14 Matthew Street, South Heaton just north of Shields Road, where they brought up their six children. Matthew Street was their home until c1924 (when Edward was 51 years old) at which time they relocated to Walker where they were to live for the remainder of their lives.

Prior to and during the First World War, Edward served as a Company Sergeant with the Northern Cyclist Battalion, which was employed to protect the coastline. The battalion was based at Alnwick Castle during World War One. The next photograph shows men of the Northern Cyclists in 1910. Edward Lawson VC is seated at the front. The next photograph was taken at Bamborough Castle in 1914. Edward is fourth from the right on the back row. Left of him is his wife Ursula, right of him is sister-in-law Agnes (known as Lily). Both were employed as cooks to the officers mess. Front left is Thomas and right front is Arthur, both sons of Edward and Ursula.

Northern Cyclists 1910

.Edward Lawson at Bamborough Castle

image

Edward Lawson

Edward Lawson

Edward Lawson VC died on 2 July 1955. He is buried in Heaton and Byker Cemetery, where in 1999 a new headstone was erected on his grave. His Victoria Cross is held by the Gordon Highlanders Musuem in Aberdeen.

image

Thank you to Barry Lawson, Edward’s grandson, who supplied us with much of the above information and photographs. If you know any more about Edward’s career in the army or his life, we’d love to hear from you. Post a reply here or email: chris.jackson@heatonhistorygroup.org

*See comments attached to this article for information about East End Hotel

Update

Read here about a memorial to Edward and the other two Newcastle men to have been awarded the Victoria Cross.