Tag Archives: Stratford Villas

The People’s Shakespeare

On 20 June 2016 (with perfect, even poetic, symmetry, the very day on which this year’s midsummer solstice will fall), actors from the People’s Theatre, Heaton, will take to the stage at Stratford upon Avon for the first time, alongside the Royal Shakespeare Company, in a performance of ‘A Midsummer Night’s Dream’. They will perform an encore the following night.

The troupe has already played the parts of the ‘mechanicals’ (Nick Bottom, the weaver; Peter Quince, the carpenter; Snug, the joiner; Francis Flute, the bellows-mender; Tom Snout, the tinker and Robin Starveling, the tailor), the comic characters who perform a play within the play, to critical acclaim at our own Northern Stage. But The People’s connection with Shakespeare goes back almost 100 years and, although the theatre company wasn’t based on this side of the city then, Heaton was nevertheless already centre stage (if you can forgive the pun) and has remained deeply connected to both the theatre group and the bard.

Veitches of Heaton

The People’s was founded in 1911 by members of the Newcastle branch of the British Socialist Party to raise money to fund their political activities and enable them to pay the rent on their meeting rooms at the corner of Leazes Park Road and Percy Street. (Today you’ll find Tea Sutra Teahouse in what was to become the new company’s first home).

The first meeting of around half a dozen interested members was dominated by one family: 32 year old telephone engineer, Norman Kidd Veitch, and his wife, Edith, who lived at 19 Stratford Grove Terrace, Heaton and, Norman’s younger brother, Colin Campbell Mackenzie Veitch and his wife, Minnie, who lived just around the corner at 1 Stratford Villas. Fittingly both couples lived in what we now call Heaton’s ‘Shakespeare Streets’, a group of roads with connections to Shakespeare, the story of which goes back to the 1864 celebrations of the 300th anniversary of Shakespeare’s birth.

Colin was, of course, a professional footballer, still fondly remembered as Newcastle United’s most successful captain in the Edwardian era, during which the club won three Football League Championships and graced Wembley six times in seven years, at a time, of course, when FA Cup semi-finals weren’t played there, and the first League Cup was still fifty years away.

Colin Veitch

Colin Veitch

But there was much more to Colin Veitch than his football talent, immense though that was, as shown by his presence at that inaugural meeting of the Clarion Dramatic Society, as it was then called. Sometime between the initial meeting and the society’s first dramatic performance on 11 July 1911, Veitch captained Newcastle United, the holders, in the 1911 FA Cup Final (which they lost 1-0 to Bradford City after a replay at Old Trafford) but he was by now approaching 30 and in dispute with Newcastle United, and so although it was only the outbreak of WW1 which brought the final curtain down on his playing career, he was ready for new challenges.

Colin Veith's commemorative plaque

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The Veitches, as well as being keen socialists – Colin was a founder member and later chairman of the Association Football Players Union (now the PFA) and turned down the invitation to stand as a Labour MP – were all lovers of the arts. Minnie was a star of Newcastle Amateur Operatic Society, where Colin, Norman and Edith were members of the chorus; Colin wrote music and conducted; Edith and Norman both wrote plays, a number of which were performed by the Clarion and later The People’s, so what started as an income generator for the British Socialist Party soon took on a life of its own.

From the beginning, the Clarion were ambitious. They performed the works of George Bernard Shaw, the eminent contemporary – and socialist – playwright.  They also performed Ibsen, Galsworthy, Chekhov and other great playwrights. As Norman Veitch said: ‘ If we are going to murder plays, let us murder the best’.

In 1920, the company invited George Bernard Shaw to see them perform. Shaw replied ‘I wouldn’t travel so far overnight in a railway train to meet Shakespeare himself’ but come he did on 25 April 1921 to see the company perform his play ‘Man and Superman’, with Colin Veitch playing the part of Old Malone.

The People’s Shakespeare

The next and final play of the landmark 1920-21 season was ‘The Merry Wives of Windsor’,the Clarion’s first Shakespearean production. Colin Veitch was Falstaff, Minnie and Edith merry wives. Norman Veitch later wrote that ‘it was a jolly and inspiring performance’.

That summer, the Clarion was renamed The People’s Theatre and Shakespeare became a staple: ‘Antony and Cleopatra’, ‘The Comedy of Errors’, ‘Coriolanus’, ‘Cymbeline’, ‘Hamlet’, ‘Henry IV Part 1’, ‘Julius Caesar’, ‘King Lear’, ‘Love’s Labour’s Lost’, ‘Measure for Measure’, ‘The Merchant of Venice’,  ‘A Midsummer Night’s Dream’, ‘Much Ado About Nothing’, ‘Othello’, ‘Pericles’, ‘Richard II’, ‘Romeo and Juliet’, ‘The Taming of the Shrew’, ‘The Tempest’, ‘Troilus and Cressida’,  ‘Twelfth Night’, ‘Two Gentlemen of Verona’ and T’he Winter’s Tale’, were all performed before the company moved to Heaton.

People’s in Heaton

The People’s Theatre was based in a disused chapel in Rye Hill from 1930 but by 1953 the company recognised it had outgrown the premises and they set their sights on their own arts centre. A public appeal was launched in 1955 at a luncheon attended by Sir John Gielgud and Peggy Ashcroft. Eventually by 1959 a suitable building was found and enough money was in the bank to start to convert it into a theatre.

Lyric cinema 1936

Entrance to the Peoples 2013

The soon to be refurbished People’s Theatre

 

The building was the recently closed Lyric Cinema, next to the Corner House on Stephenson Road (the Coast Road). It reopened as a theatre on 24 September 1962, with Shaw’s ‘Man and Superman’ (of course!) and the season appropriately ended with the People’s first Shakespeare performance in Heaton, a Christmas production of ‘Twelfth Night’. The official opening by Princess Alexandra followed on 20 October 1964.

The company continued to bring new Shakespeare plays to Heaton audiences eg Henry IV Part 2 (1965), Richard III (1967), Henry V (1981) but soon there was an even more exciting development, which cemented the east Newcastle relationship with Stratford which had begun with Frank Benson’s company in 1895.

RSC at the People’s

The RSC had made Newcastle its third home in 1977, bringing productions annually from Stratford to the Theatre Royal and the Gulbenkian, but in 1987 and 1988 they needed a third venue and so actors such as Jeremy Irons and Brian Cox trod the People’s boards.

The second season will always be remembered for a particularly gory production of ‘Titus Andronicus’, after which reports of fainting audience members even  made the pages of ‘The Sun’!

The RSC returned to Heaton in 2004 when the Newcastle Playhouse (now Northern Stage) was undergoing refurbishment. It’s an honour for both the People’s and Heaton for our own theatre company to be able to accept a return invitation to Stratford twelve years later in this most special of seasons for both theatres. There’ll be a few charabancs of Heatonians heading down to the midlands in June. It would be lovely to welcome members of the RSC back to our own soon to be even more fantastic theatre before too long.

Sources

The main sources used in researching this article were:

Chris Goulding ‘The Story of the People’s’

Norman Veitch ‘The Peoples’

http://www.ptag.org.uk/about-us/history.html

http://www.colinveitch.co.uk/

where you will be able to read much more about The People’s Theatre and Colin Veitch respectively

Can you help?

If you have memories of the People’s or any performances or readings of Shakespeare in Heaton or can provide further information about anything mentioned in this piece, please contact us, either by clicking on the link immediately below the title of this article or by emailing chris.jackson@heatonhistorygroup.org

Shakespeare 400

This article was written and researched by Chris Jackson, as part of Heaton History Group’s project to commemorate the 400th anniversary of William Shakespeare’s death.

We are interested in connections between Heaton and Shakespeare through its theatres, past and present; writers, actors – and of course, the famous brick Shakespeare on South View West. See:

A Road By Any Other Name

The Grand Opening

We are also researching and writing about some of the people who have lived in the ‘Shakespeare Streets’: initially, we are looking at Bolingbroke, Hotspur, Malcolm, Mowbray and Warwick Streets plus Heaton Park Road, Stratford Grove, Stratford Grove Terrace, Stratford Grove West, Stratford Road, and Stratford Villas. See:

Colin Veitch’s Twelve Days of Christmas

George Waller: world champion cyclist

George Waller: life as a champion

More to follow!

If you would like to join our small friendly research group or have information, photos or memories to share, please contact us, either by clicking on the link immediately below the title of this article or by emailing chris.jackson@heatonhistorygroup.org

A Road by Any Other Name

On 20th June 2016 in Stratford upon Avon, amateur actors from The People’s Theatre, Heaton will appear in a production of ‘A Midsummer Night’s Dream’ alongside professionals from the Royal Shakespeare Company. That performance, a reprise the following night and five nights at Northern Stage in March, will form part of the national commemoration of the 400th anniversary of William Shakespeare’s death and is a great honour for our local and much loved theatre company.

The People’s Theatre has links with the RSC going back many years. The Stratford company made Newcastle its third home back in the 1970s and the People’s has come to the rescue three times (1987, 1988 and 2004) when an extra venue was needed for one reason or another. But these are far from Heaton’s earliest connections with the ‘immortal bard’ and we’ve decided to explore some of them as part of our own contribution to ‘Shakespeare 400’.

 The Name of the Roads

The most obvious references to Shakespeare in the locality are a group of streets in the extreme south and west of Heaton: Bolingbroke, Hotspur, Malcolm and Mowbray are all Shakespeare characters, as well as historical figures. And immediately north of them are Warwick Street and the Stratfords (Road, Grove, Grove Terrace, Grove West, Villas). But could the literary references be coincidental? Perhaps it was the real life, mainly northern, noblemen that were immortalised? Why would a housing estate, built from the early 1880s for Newcastle workers and their families, pay homage to a long-dead playwright. It’s fair to say our research team was surprised and delighted at what we found.

Two documents, one in Tyne and Wear Archives (V273) and one in the City Library, provided the key. Firstly, in the archives, we found a planning application from Alderman Addison Potter of Heaton Hall and his architect, F W Rich (who later designed St Gabriel’s Church). Their plans show Bolingbroke, Hotspur, Malcolm and Mowbray Streets, pretty much as they look now, but bordering them to the south is Shakespeare Road! No doubt now about the references. (Thank you to Tyne and Wear Archives for permission to use the images below.)

Shakespeareroadplan4ed

Plan of roads near Bolingbroke Street showing Shakespeare Road

Not only that but Lennox, Siward, and Umfreville Terraces also appear. You’d be forgiven for not immediately getting the Shakespearian references there but Siward is the leader of the English army in Macbeth; Lennox, a Scottish nobleman in the same play and Umfreville, we’ve discovered, has a line which appears only in the first edition of Henry IV Part II but, like many of the others, the real person on which he was based has strong north east connections. Clearly the inspiration for the street names came from one or more people who knew their literature and their history.

Shakespeareroadplan3ed

But two sets of plans were rejected by the council for reasons that aren’t clear and, within a year, Addison Potter seems to have sold at least the leasehold of the land to a builder and local councillor called William Temple. Temple submitted new, if broadly similar, proposals. Building work soon started on the side streets but the previous year, Lord Armstrong had gifted Heaton Park to the people of Newcastle and the road to the new public space took its name. And nobody lives on Lennox, Siward or Umfreville Terraces either: they became Heaton Park View, Wandsworth Terrace and Cardigan Terrace.

IMG_5817

Bricks stamped with Temple’s name can still be found in the area. This one is displayed in his former brickyard on the banks of the Ouseburn.

But why Shakespeare? Whose idea was it? A newspaper article, dated 21 May 1898, in Newcastle City Library provided our next clue. A former councillor, James Birkett, was interviewed: ‘Mr Birkett himself occupied a cottage on the land which is now known as South View. There were another cottage or two near his, but they had nearly the whole of the district to themselves’. It continues ‘In front of them was the railway line, and behind was the farmhouse of a Mr Robinson. This house stood on the site now forming the corner of Heaton Park Road and Bolingbroke Street, and one of its occupants was Mr Stanley, who for many years was the lessee of the Tyne Theatre’.

The Tragedian

Further research showed that George William Stanley had a deep love not only of drama but of William Shakespeare in particular.  He was born c 1824 in Marylebone, London. By 1851, Stanley described himself as a ‘tragedian‘ (ie an actor who specialised in tragic roles).

By 1860, he was in the north east. The first mention we have found of him dates from 28 July of that year, when he is reported to have obtained a licence to open a temporary theatre in East Street, Gateshead. A similar licence in South Shields soon followed. Later, we know that he opened theatres in Tynemouth and Blyth.

In 1861, he was staying in a ‘temperance hotel’ in Co Durham with his wife (Emily nee Bache) and four children: George S who is 8, Alfred W, 4, Emily F, 3, and Rose Edith Anderson, 1. He now called himself a ‘tragedian / theatre manager’.  And he had turned his attention to Newcastle, where attempts to obtain theatre licences were anything but straightforward.

In June 1861, Stanley applied for a six month licence for theatrical performances in the Circus in Neville Street. He argued that one theatre (the Theatre Royal) in Newcastle to serve 109,000 people was inadequate; he promised that the type of performances (‘operatic and amphitheatre’) he would put on would not directly compete with existing provision; he produced testimonials and support from local rate payers; he gave guarantees that alcohol would not be served or prostitutes be on the premises. But all to no avail. The Theatre Royal strongly objected; an editorial in the ‘Newcastle Guardian’ supported the refusal. Appeal after appeal was unsuccessful. Stanley continued to use the wooden building as a concert hall and appealed against the decision almost monthly.

In October 1863,  George Stanley made another impassioned speech, in which he begged to be allowed to practice his own art in his own building. He concluded: ‘I will not trouble your worships with any further remarks in support of my application, but trust that the year that witnesses the tercentenary of Shakespeare’s birth, will also witness the removal of any limitation against the performances of the plays of that greatest of Englishmen in Newcastle’.  The Bench retired for thirty five minutes but finally returned with the same verdict as before.

GeorgeStanley

George Stanley, tragedian and theatre manager

Tercentenary

Despite his latest setback, George Stanley started 1864 determined to mark Shakespeare’s big anniversary. In the first week of January, he played Iago alongside another actor’s Othello in his own concert hall. ‘Both gentlemen have nightly been called before the curtain’.

The following week, a preliminary public meeting was held to hear a dramatic oration ‘On the Tercentenary of Shakespeare’ by G Linnaeus Banks of London, Honorary Secretary to the National Shakespeare Committee, and to appoint a local committee to arrange the celebrations in Newcastle. Joseph Cowen took the chair and George Stanley was, of course, on the platform. And it was he who moved the vote of thanks to Mr Banks for his eloquent address.

Unfortunately the festivities were somewhat muted and overshadowed by Garibaldi’s visit to England. (He had been expected to visit Newcastle that week, although in the event he left the country somewhat abruptly just beforehand). There was a half day holiday in Newcastle on Monday 25 April ‘but the day was raw and cold and the holiday was not so much enjoyed as it might otherwise have been’ and  a celebration dinner in the Assembly Rooms, ‘attended by about 210 gentlemen’, was the main event. A toast ‘In Memory of Shakespeare’ was proposed, followed by one to ‘The Dramatic Profession’. George Stanley gave thanks on behalf of the acting profession.

Stanley continued to pay his own respects to the playwright. He engaged the ‘celebrated tragedian, Mr John Pritchard’ to perform some celebrated Shakespearian roles, with he himself playing Othello and Jago on alternate nights.

Tyne Theatre

In October 1865, Stanley’s wooden concert hall was damaged and narrowly escaped destruction in a huge fire that started in a neighbouring building. His determination to open a permanent theatre intensified and he had found powerful allies. On 19 January 1866, it was announced that an anonymous ‘party of capitalists’ had purchased land on ‘the Westgate’ for the erection of a ‘theatre on a very large scale’. They had gone to London to study the layout and facilities of theatres there. It was said that George Stanley would be the new manager.

In May of that year, in a sign that relations between Stanley and the Theatre Royal had at last thawed, Stanley performed there ‘for the first time in years’. And soon details of the new Tyne Theatre and Opera House began to emerge.  Joseph Cowen, with whom Stanley had served on the Shakespeare Tercentenary Committee, was among the ‘capitalists’.

Cowen was a great supporter of the arts and an advocate for opportunities for ordinary working people to access them. He was incensed at the council’s continued blocking of Stanley’s various theatrical ventures and offered to fund the building of a theatre in which Stanley’s ‘stock‘ ( ie repertory) company could be based.

The opening been set for September 1867 but a licence was still required. Stanley applied again on 31 August. The hearing was held on Friday 13 September before a panel of magistrates which included Alderman Addison Potter of Heaton Hall – and this time Stanley and his influential backers were in luck. Just as well as it was due to open ten days later. And it did, with an inaugural address by George Stanley himself.

Despite his earlier claims that the Tyne Theatre wouldn’t compete with the Theatre Royal, Shakespeare was very much part of the programme in the early years: ‘As you Like It’, ‘The Merchant of Venice’, ‘King Lear’… But it was soon acknowledged that there was room for two theatres in Newcastle. Stanley soon found the time and the good will to play the role of Petruchio  (‘The Taming of the Shrew’ ) at the Theatre Royal. He continued to manage the Tyne Theatre until 1881.

Heaton House

It was while still manager of the Tyne Theatre that Stanley moved to Heaton. His first wife had died in the early ’60s. He had remarried and with his second wife, Fanny, still had young children.

Heaton House, as we have heard, stood on what is now the corner of Heaton Park Road and Bolingbroke Street and the Stanley family were living there from about 1878.

The map below is from some years earlier (Sorry it’s such a low resolution. We will replace it with a better version asap) but gives a good impression of the rural character of Heaton at this time. In the top right hand corner of the map, is Heaton Hall, home of Alderman Addison Potter, one of Stanley’s few neighbours and the owner of the farmland on which Stanley’s house stood. Remember too that Potter had been a member of the panel that finally approved Stanley’s theatre in Newcastle.

 os3

Memorial

Potter and Stanley would surely have discussed matters of mutual interest. So while we might not know exactly how the naming of the streets on the east bank of the Ouseburn came about, we can surely assume that George William Stanley, actor, tragedian, Shakespearean, passionate promoter of theatre and neighbour of Potter at the time, played a part. It might have taken almost another twenty years and the name ‘Shakespeare Road’ didn’t make the final cut but Newcastle finally had the long-lasting tribute that George Stanley had wanted for the Shakespeare’s tercentenary.

By the early 1880s the area looked very different. William Temple had developed the fields to the south and west of Heaton Hall;  Heaton House had been demolished and Bolingbroke Street and Heaton Park Road stood in its place; George Stanley had moved back to London.

Stanley would probably be surprised to know that his Tyne Theatre is about to celebrate its 150th anniversary; proud of the People’s Theatre‘s participation in the national commemorations a hundred and fifty two years after his own involvement and delighted that Shakespeare lives on in Heaton.

Can you help?

If you can provide further information about anything mentioned in this article please,contact us, either by clicking on the link immediately below the title of this article or by emailing chris.jackson@heatonhistorygroup.org

Shakespeare 400

This article was written by Chris Jackson and  researched by Chris Jackson, Caroline Stringer and Ruth Sutherland, as part of Heaton History Group’s project to commemorate the 400th anniversary of William Shakespeare’s death.

We are interested in connections between Heaton and Shakespeare through its theatres, past and present; writers, actors – and of course, the famous brick Shakespeare on South View West.

We are also researching and writing about some of the people who have lived in the ‘Shakespeare Streets’: initially, we are looking at Bolingbroke, Hotspur, Malcolm, Mowbray and Warwick Streets plus Stratford Grove, Stratford Grove Terrace, Stratford Grove West, Stratford Road,  and Stratford Villas.

If you would like to join our small friendly research group or have information, photos or memories to share, please contact us, either by clicking on the link immediately below the title of this article or by emailing chris.jackson@heatonhistorygroup.org

 

VAD Nurses in Heaton’s Avenues

Following the end of the Boer War, the War Office was concerned that, in the event of another conflict, the medical and nursing services wouldn’t be able to cope sufficiently. The peacetime needs of a standing army, in relation to medical care, were very small and specific, and to find thousands of trained and experienced personnel at very short notice, without the expense of maintaining them in peacetime, was a difficult problem to overcome. On 16 August 1909 the War Office issued its ‘Scheme for the Organisation of Voluntary Aid in England and Wales’, which set up both male and female Voluntary Aid Detachments to fill certain gaps in the Territorial medical services. By early 1914, 1757 female detachments and 519 male detachments had been registered with the War Office.

VAD recruitment poster

VAD recruitment poster

When war came, the Red Cross and Auxiliary hospitals sprung up rapidly in church halls, public buildings and private houses, accommodating anything from ten patients to more than a hundred. The proportion of trained nurses in the units was small, and much of the basic work was the responsibility of the VADs – they cleaned, scrubbed and dusted, set trays, cooked breakfasts; they lit fires and boiled up coppers full of washing. They also helped to dress, undress and wash the men – which was of course a big step for young women who may never have been alone and unchaperoned with a member of the opposite sex before, other than their brothers.

There were about 50,000 women involved in the movement immediately before the war, and it’s thought that in total somewhere between 70,000 and 100,000 women served as VADs at some time during the war, some for very short periods, some for up to five years.

As part of the commemoration of the centenary of World War 1, the Red Cross has been digitising its VAD records, which has allowed us to identify three VAD nurses living in the avenues as well as two male members of voluntary aid detachments, shedding some light on their lives and contributions as well as the role that they played during the war.

The English Family

The English family lived at 30 Third Avenue, Heaton. The 1911 census shows Robert English (55), a plumber, and his wife, Isabella (48), had four children living at home, twins Annie and Mary Jane (28), Isabella (20) and William 18.

In 1911, William was working as a stained glass designer. On 29 October 1915, aged 22, he enlisted in the army. His military record describes him as 5’ 8” in height and weighing 7st 8lbs. His physical development was described as ‘spare’, with a chest measurement of 33 1/2 inches. It was noted that his sight was defective, except when wearing spectacles. He also had slight varicose veins. These were deemed as slight defects that were not significant enough to cause rejection. Given his physical development, it is perhaps not surprising that he was placed into the Royal Army Service Corps rather than a combat roll.

Four days after enlisting, on 1 November 1915, William married Lillian Phillips at St Gabriel’s Church. The next day, he joined his regiment at Aldershot. What is interesting about William, is not his relatively unremarkable military career, but that both his sister, Mary Jane, and his new wife, Lillian, were to go on to become VAD nurses.

Mary Jane English and the Liverpool Merchants’ Hospital

Mary Jane saw service with the VAD from 2 October 1915 to 12 November 1917 and is listed as a sister, although it’s not clear whether this meant she was a qualified nurse. Interestingly, the 1911 census does not show any employment for Mary, although it is possible that she trained as a nurse between then and the start of the war. Mary was posted to the No 6 Hospital of the British Red Cross in Etaples, also known as the Liverpool Merchants Hospital. She was awarded the 1915 star for her service.

The Liverpool Merchants’ Hospital was constructed and equipped from funds raised by members of the Liverpool Chamber of Commerce, making it unique. The hospital opened at the end of July 1915 and treated over 20,000 people during the course of the war at a cost of some £90,000. s a Base Hospital, the hospital had 252 beds and formed part of the casualty evacuation chain, further back from the front line than the Casualty Clearing Stations. In the theatre of war in France and Flanders, the British hospitals were generally located near the coast. They needed to be close to a railway line, in order for casualties to arrive; they also needed to be near a port where men could be evacuated for longer term treatment in Britain.

Staff of the Liverpool Merchants' Hospital

Staff of the Liverpool Merchants’ Hospital where Mary Jane English served

A report from the ‘Liverpool Courier’ in January 1920 gives a description of the facilities: ‘There were eight pavilion wards, each to accommodate 27 patients, with their own nurses’ duty rooms, sink, stores and cupboards, also large linen store; and each ward had attached to it a two-bed ward for special cases. Each large ward had also its own bath and lavatory. The operation block and the kitchen block were situated in the centre of the hospital. The operation block contained also X-ray room with dark room attached, an anaesthetic room, preparation room, operating theatre, dispensary, laboratory, medical store room, splint room, quarter-master’s and matron’s store rooms and ambulance stores.’

The article closes by saying:

‘Let it be recorded to the everlasting glory of Liverpool that the Merchants’ Hospital, the only military hospital which has been “designed, built, equipped, staffed, managed, and financed” entirely by the citizens of a particular city, has never been prevented from the fullest performance of the duties for which it was devised by lack of funds.’

This last fact is particularly interesting, as all of the records show that the hospital was staffed exclusively by the people of Liverpool. It’s not clear what relationship the English family had with Liverpool, or indeed if the necessities of war meant that this particular point was overlooked in the interests of providing a service.

Lillian English and the Australian Hospital

Lillian English married William on 1 November 1915. She was the youngest daughter of Alfred and Sarah Phillips of West Jesmond. The 1911 census shows Alfred as a letterpress machine overseer in the printing industry, with 19 year old Lillian working as an assistant at a music dealer and her older step sister Mary Gregory (28) working as a booksewer in a bookbinder’s. After their marriage, Lillian continued to live at her parents’ home, 34 Mowbray Street, Heaton and William’s military record was amended to show this as his address. The couple continued to live with Lillian’s parents for several years after the war.

Perhaps inspired by the experiences and contribution of her sister-in-law, Mary, Lillian also joined the Voluntary Aid Detachment on 6 March 1918, some four months after Mary returned from Etaples. Lillian’s stay in the service was however somewhat shorter, as she was discharged one month later on 8 April 1918. This initially caused us much speculation. Typically, VAD nurses would have one month probation and it appeared at first that either she was considered unsuited for the work or could not herself cope with it. However, the answer to her hasty departure became apparent when we discovered that William and Lillian’s only daughter, Monica, was born 12 November 1918. Obviously conceived during William’s leave, Lillian must have been about four weeks pregnant when she took up her post, a fact that would have become apparent during her brief placement, leading to her premature return home. Lillian spent her brief assignment with the VAD posted to the Australian Hospital, Harefield.

Some of the buildings at Harefield Park

Some of the buildings at Harefield Park where Lillian English served

In November 1914 Mr and Mrs Charles Billyard-Leake, Australians resident in the UK, offered their home, Harefield Park House and its grounds, to the Minister of Defence in Melbourne for use as a convalescent home for wounded soldiers of the Australian Imperial Forces (AIF). The property became the No. 1 Australian Auxiliary Hospital in December 1914. It was the only purely Australian hospital in England. The Hospital consisted of Harefield Park House, a 3-storey plain brick building, some out-buildings and grounds of some 250 acres. It was proposed that the Hospital would accommodate 60 patients in the winter and 150 in the summer. It would be a rest home for officers and other ranks, and also a depot for collecting invalided soldiers to be sent back to Australia. As Harefield Park House could only accommodate a quarter of the number expected, hutted wards were built on the front lawn, and a mess hall for 120 patients in the courtyard.

As the war progressed the hospital grew rapidly, becoming a general hospital. At the height of its use it accommodated over 1000 patients and the nursing staff had expanded to 74 members. Nearly 50 buildings were in use, including workshops, garages, stores, messes, canteens, a recreation hall (where concerts and film shows were held), a billiards rooms, writing rooms, a library, a cookhouse, a detention room and a mortuary. For entertainment, tours to London were arranged and paid for out of canteen funds, and the ladies of the district made their cars available for country trips, picnics and journeys to and from the railway station, both for patients and visitors. The hospital gradually closed down during January 1919 and the whole site was sold to Middlesex County Council who planned to build a tuberculosis sanatorium. The site is now the site of Harefield Hospital.

Irene Neylon

Mary Irene Neylon was born in 1881 in Ireland. Somewhere around the end of the 19th Century, Irene and her sister Susannah moved to Newcastle, possibly to join their Uncle James, a wine and spirit manager living in Jesmond. Irene lived at 60, Third Avenue, with her sister and her husband John William Carr and their family. She never married and remained at Third Avenue until her death on 16 March 1947, where probate records show that she left effects to the value of £164 3s.

Irene was working as a shop clerk at the time of the 1901 census, but by 1911 had trained as a nurse and was working at the Infirmary of the Newcastle upon Tyne Workhouse (later to become Newcastle General Hospital). Between 27 February 1917 and 20 January 1919 Irene is listed on the Red Cross Records as being a VAD Nurse. Unfortunately, Irene’s record only lists her placement as T.N. dept, so it’s not clear exactly where she was posted. However, we do know that part of the infirmary was taken over by the army to treat venereal diseases, with beds for 48 officers and 552 other ranks, so it is possible that she continued to work at the same location but with a different employer. What sets Irene apart from the other VAD members in the Avenues is that she was, as a qualified nurse, a paid employee, earning £1 1s per week when she joined, rising to £1 4s 10d when she was discharged.

Irene Neylon's VAD record card

Irene Neylon’s VAD record card

Life as a VAD Nurse

‘Do your duty loyally
Fear God
Honour the King

And only the Master shall praise us, and only the Master shall blame.
And no one shall work for money, and no one shall work for fame,
But each for the joy of working, and each in his separate star,
Shall draw the thing as he sees it for the God of things as they are.’

These were the final inspirational comments of a message from the Commander in Chief of the VAD, Katherine Furse. The message was handed to each VAD nurse before they embarked. The message was to be considered by each V.A.D. member as confidential and to be kept in her Pocket Book.

The nurses were subject to full military discipline and required to assist in any way they could, with only minimal training. Given that we know that Harefield, for example, only had 74 nurses for its 1000 beds, it’s safe to assume that VAD nurses would have been carrying out most of the care. They wore a distinctive blue uniform with a white apron and sleeves and a red cross on the apron to distinguish them from other nursing staff.

VAD uniform

VAD uniform

The rules they were expected to work to included detail around personal cleanliness and presentation, including gargling morning and evening, but especially in the evening with carbolic, 1 in 60; listerine, 1 teaspoonful to 5 oz. water; glyco-thymoline and water, ½ and ½. They also advised combing the hair with a fine toothed comb every day!

There are several contemporary accounts of the lives of VAD nurses, including this from Kathleen Marion Barrow, who worked at a base hospital in France, similar to that where Mary Jane English worked:

‘In France, when convoy after convoy poured in, and when one piteous wreck after another, whose bandages were stiff with mud and blood, had been deposited on a clean white bed; the extent of a VAD’s work was bound to be decided far more by the measure of her capacity than by rule of seniority, or red tape. Matron and sisters soon discovered those whose skill, quickness and level-headedness, justified trust. In every new venture there are few who have not to walk for a space some time or other in the Valley of Humiliation, the military hospitals in France were a magnificent school, not only for actual nursing, but for self-control and nerve.’

She also talks of the comradeship and the humour amidst the pain and tragedy: ‘One recalls the dummy – carefully charted and hideously masked – which was tucked into bed for the benefit of the VAD and orderly when they came on night duty, and the stifled laughter under the bedclothes in adjoining beds. One recalls, too, the great occasions when some Royal or notable person came to visit the wards. Then we spent ourselves in table decorations, emptied the market of flowers, or ransacked the woods and meadows for willow or catkins, ox-eyed daisies or giant kingcups. Incidentally, we made the boys’ lives a burden to them by our meticulous care in smoothing out sheets, tucking in corners, and repairing the slightest disorder occasioned by every movement on their part, till the occasion was over. Sometimes the expected visitor did not turn up, and when another rumour of a projected visit was brought into the ward by a VAD, she was hardly surprised to find that her announcement was greeted on all sides by the somewhat blasphemous chorus of “Tell me the old, old story.” ‘

Male VAD members

Interestingly, our search for VAD nurses on the avenues identified two male members of Voluntary Aid Detachments: William Holmes and Richard Farr, both members of the St Peter’s Works Division, allocated to air raids, coast defences and convoys and employed as part of the St John’s Ambulance Brigade’s 6th division.

William Holmes, aged 51 at the start of the war, lived at 25, Eighth Avenue, with his wife Maria and five children, three of them, Harriet, William and Mary being adults.

Richard Farr, aged 32 at the start of the war, lived at 45, Second Avenue, with his wife Mary and nine year old daughter Madge.

Both were marine fitters and joined the detachment on 4 August 1914. William was too old to fight, but it’s not clear whether Richard was subsequently called up, although it is possible, given the nature of their work, that they would have been exempted. Although it was not a naval base as such, Tyneside played a huge role in World War One. A third of all the battleships and more than a quarter of the destroyers completed for the Admiralty were built here. Many other naval vessels were repaired on the Tyne particularly after the Battle of Jutland. There were no fewer than 19 shipyards on the Tyne at the outbreak of war, and five of them were big enough to build warships. Hawthorn Leslie alone built 25 royal navy vessels during the war.

Unlike the VAD nurses, the role that William and Richard would have played is much less clearly documented, although it is clear that they were expected to work on an as required basis, most likely dealing with emergencies and possibly manning coastal monitoring stations such as those at Blyth and Tynemouth.

That we have identified five Voluntary Aid Detachment members just from the ten Heaton Avenues* perhaps gives some indication of scale of the enterprise. What is even more startling is to recognise that the women in particular came from all walks of life and, with very few exceptions, worked, often for a number of years, on a purely voluntary basis, receiving no pay and little recognition for their huge commitment to the war effort.

Heaton Avenues in Wartime

This article was researched and written by Michael Proctor, with additional input from Arthur Andrews, for Heaton History Group’s ‘Heaton Avenues in Wartime’ project, which has been funded by Heritage Lottery Fund.

*Postscript

Since this article was written, the Red Cross has continued to post the names of VAD volunteers and so far we have found four more from Heaton’s avenues:

Annie Maud Monaghan, 90 Second Avenue

Lillian Rankin, 21 First Avenue

Annie Isabella Richardson, 55 Tenth Avenue

William Ernest Statton, 27 Ninth Avenue

Those from elsewhere in Heaton include:

Margaret Dora Burke, 146 Trewhitt Road (who served in France)

Mary Douthwaite, Woodlands, Alexandra Road, who served in France and was mentioned in dispatches (30/12/1918)

Mary Haswell, 7 Stratford Villas (who served in France)

Kate Ogg, originally of 21 Bolingbroke Street, who died of influenza on 23 February 1919 while on active duty

Mary Sharpley, 3 Jesmond Vale Terrace, who served in Egypt and was mentioned in dispatches (5/3/1917)

Plus:

Mollie Allen, 62 Chillingham Road

Thomas Atkinson, Street 150 Hotspur Street

Ralph Boyd 160 Warwick Street

Hannah Buttery, 28 Sefton Avenue

John D Cant, 19 Trewhitt Road

Margaret Clare Checkie, 88 Bolingbroke Street

Mary Cowell, 36 Wandsworth Road

Margaret Annie Douthwaite, 3 Alexandra Road

Ernest Edward England, 99 Rothbury Terrace

Mary P Field, Silverdale, Lesbury Road

Gertrude Fotherby, Silverdale, Lesbury Road

Florence Garvey, 9 Meldon Terrace

Alberta Louise Gerrie, 137 Addycombe Terrace

Robert G Horne, 64 Balmoral Terrace

Gladys Mary Miller, 16 Bolingbroke Street

Hilda Oliver, Bellegrove, Lesbury Road

Jane Ethel Park, Westville, Heaton Road

Mary Isabella Roberts, Heaton Hall

E D Scott, 21 King John Terrace

Eva May Stroud, Cresta, Heaton Road

W Theobold, 39 Cardigan Terrace

Matthew Tulip, 13 King John Street

Elizabeth H Turner, 22 Bolingbroke Street

Jennie Walton, 10 Falmouth Road

Laura Whitford, 17 Guildford Place

Irene Helena Whiting, Cresta, Heaton Road

J Wilson, 101 Warwick Street

Can you help?

If you know more about any of the people mentioned in this article, please get in touch either by posting directly to this site by clicking on the link immediately below the article title or by emailing Chris Jackson, Secretary of Heaton History Group at chris.jackson@heatonhistorygroup.org

All With Smiling Faces – Football Double Bill

Heaton has a proud football history. Newcastle East End, one of the two clubs which merged to form Newcastle United, used to play their home games on Chillingham Road at what was considered one of the top grounds of the day. Arguably the Magpies’ greatest ever player lived for many years in Stratford Villas where you can find a plaque recently erected in his honour. And local semi-professional club, Heaton Stannington, currently in Northern League Division Two, is itself at least 112 years old. We are delighted to announce an evening at which you can hear about Newcastle United’s early history and the story of the Stan.

Paul Brown, author of ‘All with Smiling Faces: how Newcastle became United, 1881-1910’ will talk about the early history of the Magpies, from the club’s formation to its first FA Cup win, where the team was captained by Colin Veitch.

Colin Veitch

Colin Veitch

Kevin Mochrie, Heaton Stannington’s official historian, programme editor and PR Officer will cover the history of the Stan from its formation to the present day.

1936 Ardath cigarette card - Heaton Stannington

1936 Ardath cigarette card

The talks will take place at Heaton Stannington FC, Grounsell Park, Newton Road NE7 7HP on Wednesday 10 December at 7.30pm. Entry fee is £2 (free for members of Heaton History Group). Capacity is extremely limited so please book by contacting maria@heatonhistorygroup.org / 07443 594154. We ask you to arrive and take your place by 7.15 after which we’ll allocate any unclaimed seats to our reserve list.

There will be a bar open from 7.00pm, serving real ale and we’ll have a football themed raffle. It should be a great night!

Colin Veitch plaque unveiled

On 25 September 2013, after a campaign by Heaton History Group, a commemorative plaque was unveiled at former Newcastle United captain and People’s Theatre co-founder Colin Veitch’s former home in Heaton by the Lord Mayor of Newcastle. Below are some photographs of the event, links to media coverage and other sources of information about this Renaissance man:

Colin Veith's commemorative plaque

The plaque was made possible by the support of Newcastle City Council, the PFA, Chris Goulding and Keith and Sam Smith.

Bob Moncur, Lord Mayor and party

Bob Moncur, the last Newcastle captain to lift silverware, spoke about Colin’s achievements

Colin Veitch's great great great niece

Members of Colin Veitch’s family were present. This is his great, great, great niece

Veitch family photo

A photograph of Colin (fourth from left) and other family members given to Heaton History Group by Janet Keighley, his great niece

Members of Heaton History group, the Veitch family, the Smith family with the Lord Mayor and councillors.

Members of Heaton History Group, the Veitch family, the Smith family with the Lord Mayor and councillors.

Media coverage
The Journal
Evening Chronicle
Sky Tyne and Wear
NUFC.com On the home page at the time of writing but hopefully will be archived later.
Evening Chronicle

Colin Veitch resources

Colin Veitch website

Colin Veitch on Wikipedia

Colin Veitch on Spartacus Educational

Poem for Colin Veitch

Colin Veitch’s Twelve Days of Christmas

The People’s Shakespeare

 

 

Poem for Colin Veitch

To commemorate the unveiling of a plaque at Colin Veitch’s former home at 1 Stratford Villas, Heaton, local poet, Keith Armstrong, has written this poem:

VEITCH

(in memory of Colin Campbell McKechnie Veitch, 1881-1938)

One man that has a mind and knows it can always beat ten men who haven’t and don’t.’
George Bernard Shaw

Football brain,
you thought with your feet,
treading the boards
in a dynamic theatre
of passing action.
A winning way,
love of the glorious day
and a sense of history
from Heaton Park
to socialism.
Your story,
from the pulsing Tyne
to the Geordie trophy room,
keeps us hoping
on Gallowgate,
alive with dignity
and strong respect for the ideal of community
and the black and white love
of fairness.
Battling away,
in a skilled midfield
and in the stinking trenches,
you fought
for your troubled lilting city
and all of those
who ever kicked a ball
in its intimate soulful avenues
.

Colin Veitch made a total of 322 appearances for Newcastle United, scoring 49 goals. He captained the United side which won League Championships in 1905, 1907 and 1909, the FA Cup in 1910 and were FA Cup finalists in 1905, 1906, 1908 and 1911, and also represented England on 6 occasions.

He was also an actor, musician, composer, political activist, soldier and much more besides.

Read about Colin Veitch’s busy Christmas 1906.

On Wednesday 25 September 2013, Chris Goulding will give a talk about Colin Veitch at The Corner House, Heaton. Priority will be given to ticket holders. Find out more and how to reserve a ticket.

On Wednesday 23 October 2013, Keith Armstrong will give a talk about the writer Jack Common at Chillingham Road School, Heaton. Jack was born in Heaton and wrote brilliantly about growing up there. Find out more and how to reserve a ticket.

Colin Veitch’s Twelve Days of Christmas

The days immediately following Christmas 1906 were bleak across much of Britain, with heavy falls of snow, icy temperatures, strong winds, even thunder and lightning. Much to the disappointment of North East football fans, the Tyne-Wear derby due to be played at Roker Park on Saturday 29th December, was postponed.

Holiday fixtures

Newcastle United’s Colin Veitch could be forgiven for secretly welcoming the enforced rest. Footballers in those days faced a punishing schedule over the festive period that would make today’s superstars blanch. In the previous week Newcastle had already played three matches. The derby was due to be their fourth in eight days, all away from home, at a time before luxury travel, pristine pitches or squad rotation.

The previous Saturday, 22nd December. Newcastle had played and beaten Manchester United at United’s Bank Street ground. Colin had scored a penalty in a 3-1 victory. Veitch’s defensive performance in shackling United’s best player, Menzies, was singled out for particular praise in the press.

Colin Veitch

Colin Veitch

Perhaps the game took a lot out of the Tynesiders because three days later, on Christmas Day, Newcastle travelled to Blackburn where an almost unchanged team (just one of the full backs being replaced) suffered their heaviest defeat of the season, 4-0 in front of a big holiday crowd of 35,000.

And the unrelenting schedule continued the following day, Boxing Day. Snow was already carpeting much of the country but players and fans, not to mention train companies, were clearly made of stern stuff back then and United fulfilled their fixture at Stoke City. There were just two further team changes and Colin played his third game of the week in a 2-1 United victory. The win left the Magpies just two points behind Everton at the top of the league.

New home

Newcastle will have had a long and difficult journey home and, had it not been for the weather, would have played their fourth away game in eight days the next Saturday. Colin Veitch and his wife, Minnie, had recently moved into a new house at 1 Stratford Villas, Heaton, where on September 25th Colin’s achievements as a footballer, an actor and a politician will be recognised when the Lord Mayor of Newcastle unveils a commemorative plaque.

We’ve chosen to highlight this period of Colin’s football career because, when carrying out work on their home, the current owners of the Veitches’ former house, found a copy of the Evening Chronicle dated 29th December 1906 under the floor boards. It doesn’t take too much imagination to guess that instead of sitting with his feet up on his unexpected rest day, Colin had instead found himself crouched under the floor mending a burst pipe. His day would get even worse, championship rivals Everton beat Middlesbrough 5-1.

Colin Veitch

Colin Veitch

But Colin and the team soon got back to work. Just two days later on New Years Day 1907, they at last played a home game. A football-starved Newcastle crowd of 30,000 cheered the team to a 2-0 win on an what was by all accounts a quagmire of a pitch. Colin and most of the Newcastle team played their fourth match in eleven days but, luckily for them, it was their opponents Derby County’s fifth! Not to be outdone though, Newcastle played a friendly the following day against Corinthians and won 3-0.

Champions again

United lost to Everton later in the month but showed much greater resilience than their rivals over the second half of the season. They won three matches in four days over Easter and on 7 April, when Blackburn beat Everton, the Geordies were confirmed as champions for the second time in three years.

This was undoubtedly the Magpies’ golden era: in the eight years between 1904 and 1912, they won the league three times and played in five FA Cup Finals, albeit winning only once.

Not only did Colin Veitch play a leading role in the football team’s success, he was also, in 1907, a founder member of the players’ union and in 1911, a co-founder and leading actor (and composer) of the People’s Theatre. In his spare time, he also wrote for the Evening Chronicle!

Special day

Come to our talk at the Corner House, Heaton on Wednesday 25 September to find out more about Colin Veitch, his part in the history of Newcastle United, the PFA and the People’s Theatre – and what his story tells us about the Edwardian era and life in Newcastle and Heaton at that time. Booking is essential as a capacity crowd is expected! Contact maria@heatonhistorygroup.org/ 0191 215 0821 / 07763 985656 to book a place.

The plaque, which will be unveiled earlier in the day, has been made possible by Newcaste City Council, the PFA and private individuals. We’re delighted that we’ll be joined at both events by members of Colin’s family, who are delighted that his achievements are being recognised by the city.